Soft Versus Hard and how to develope

Since I have begun studying the Filipino arts recently I decided to ask this here of people who would know. I have been having problems with being too stiff and "hard" during techniques in class. I was wondering if anybody here has any ideas on this. Such as how to prevent it and become more fluid. With every martial art I have studied it has been mentioned to me that soft is better than hard for combat. I was wondering what people's thoughts were on this? How does one perform a technique with intent and feeling without being too "hard." I hope I explained this well enough for it to make sense. Thanks in advance for any suggestions or advice you can offer.

justin.
 
Joined
Oct 10, 1998
Messages
627
I have always had problems in this area. The problem is that by using too much power I was being stiff, and aside from using too much effort to no effect, was actually getting in my own way, since being stiff like this kills your sensitivity -- your ability to feel how your opponent is moving and respond to it. It also makes it real easy for your opponent to feel how you're moving and respond (ouch!).

For myself, what seemed to work was to take a step back and practice the techniques slowly and lightly, without intent, as if I had never done them before. I try to do it this way with everything now, working on smoothness, before adding speed or power. After a while, as the technique starts feeling more natural, you can sort of feel the best time to start putting energy into the motion, so that it does what you want. You can absolutely perform a technique with intent while being soft -- soft doesn't mean limp, it means you're moving with your opponent, leading them to their destruction.

That said, there are times when the right thing to do is a blast-through-their-defenses, purely offensive action, but even this needs the sensitivity to know when and how its best to do it.

So, pretend you're a complete beginner. Practice the techniques slowly and lightly. Try not to rush. As you feel more comfortable, still do them lightly, but start adding a little speed, keep adding speed. If you're anything like me, you'll start going too fast and getting a little wild. What I do then is slow down and lighten up some and concentrate on precision and slowly add energy -- this is where the flow drills are so useful, especially if you have a partner that is better than you and can go as fast or slow as you.

Hope this makes some sort of sense.
 
This makes perfect sense and thank you very much. It's hard to slow down sometimes. The temptation to go full ofrce and full power. Just getting too excited I guess (heh heh). It's a fine line between soft and slow and still exhibiting proper and realistic form and being limp and working without intent like I see happening sometimes. Thanks very much for the help and I would be very interested to hear other thoughts as well though I think you've pretty much nailed it.
Thanks Joel.(sorry not paying attention)

justin.

[This message has been edited by justin (edited 01-04-2001).]
 
Also, if you try training with a heavy iron pipe, you will find it hard to be "hard". You actually don't wantto fight the inertia and weight of the bar, rather flow with it. Good side notes of this is that you are working the exact muscles that you will use and need for stickwork. This is really good to work your florete and so many other things.

Hoipe that helps, take care.

------------------
Chad
Full Contact Stickfighting Hawaii
www.fullcontacthi.com
 
I have found that spending some time free-twirling cane can help. The act of maint-
aining one speed and stringing technique together,like they're all part of the sam technique, is usefull. In fact, I would say that not separating my movements in to separate actions has been very usefull.
The goal is to move smoothly to whatever technique is necessary, as though you planned to use it in advance. It's a tough goal to reach, but once one achieves it, they can be remarkably formidable.
Good Luck,
Kilugan1
 
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