Yup! Agreed.
I think it is or was the same at some point in solingen and sheffield.
Or at any laour intensive manufacturing centres that did or does things the old fashion way.
The thing is original sog knives are sought after for its lore.
That, and the fact that they are somewhat rare
Making them highly collectable and open to price speculation.
So yeah, they may be less than perfect
And out of reach to the great majority;
But collector interest with such a knife
Spans more than for the sake of collecting.
Yeah, i guess any factory coming out with too close of a reproduction
Will create havoc with fakes passing off as the real deal.
Modern repros act as stand-in collectable representations
Of the unobtainable, or at least until otherwise.
On the otherhand, the majority of knife buyers simply
Have little or no inclination towards historical aspects
But are spurred by the aesthetics of a design.
So that any artistic licence rendered
Is purely to entice wider market interest with form and function.
Everyone loves the spectacular
more so if there are design aspects which makes for a better working product altogether.
Al mar is the father of premium pricing japanese imports.
I guess he knew how to create exclusivity and prestige.
His seki connection runs all the way back to his days at the old gerber.
Just who were the craftsmen involved in the production of these knives
Will never be common knowledge
They are the faceless unsung heroes
Responsible for creating superb quality factory mades.
In the world of rivalry, trade and company secrets
Will remain so for the longest time yet...
http://en.wikipedia.org/wiki/Al_Mar_Knives
http://japan-blades.com/brands/559.html
www.mooreknives.net/c/27b_spec_forces_10.jpg