Oho! Now I have something to try. I've always just used the leather itself for final ---- I guess it's really just a polish -- takes out the last burr on the edge.
I think I have some rouge around here. I got one of those "paper wheel" sharpening systems, and still haven't mounted it up and tried it; the system came with some rouge, as I recall.
What's my best source for small amounts of Tripoli, jeweler's rouge, and the Green Chrome you describe? I am rural, but get to Mount Vernon, WA fairly often, and Seattle, WA occasionally (pass though it almost monthly, on my way to arms shows in Puyallup). Or am I better just doing mail order, as I do so often from wa-a-ay up here?
You know, I'm trying to visualize the actual strops I've seen. At home, I use belts, or pieces of leather I've cut into straps but not yet finished into belts. I seem to recall some strops with fabric on one side. I'd imagine canvas or similar fabric would hold a fair amount of rouge or other treatments.
One of the things the Electrician Constructors will sometimes use on a commutator when the brushes are arcing is a canvas covered wood "paddle." I think that's mostly for cleanup, though. They also have some relatively soft stones in plastic holders. Of course, messing with the copper excitater commutator while the generator is online gives you a limited number of options...
I'd have to assume that fabric, like canvas or denim, mostly just polishes, and may charged with various compounds.
Maybe I'll take time to create a purpose-built strop and charge it with at least two different compounds (two sides). The Busse asymmetric edge presents an interesting challenge.
Thanks,
Lane
[This message has been edited by Lane Dexter (edited 11-22-2000).]