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- Dec 24, 2012
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Hey everyone! Just got word that my little project with Stuart is done and I wanted to share the finished piece with the group.
Disclaimer: I've labeled this as a kwaiken for the sake of this post because it's a term that many in the knife community are familiar with. By the true definition, just about every "kwaiken" is mislabeled.
The idea for this project came to me when I received an orphaned menuki (handle ornament) in a trade. It's a great piece, but it was cast away by several collectors because it lacked a second half. The quality and workmanship of the piece is outstanding and after finding it's way to me through 200+ years, I thought it deserved a better fate.
Note: Spots were used by Japanese artists of the Edo period to distinguish female tigers from males.
Steel is W2 with a presentation grade polish. Red samegawa under gold silk ito, wrapped naturally with no epoxy. 7 5/8" OAL. Sheath is lined with deer skin to minimize wear on the wrap and menuki.
I hope you guys enjoy it! Any comments/questions are encouraged!






Menuki close up:

Disclaimer: I've labeled this as a kwaiken for the sake of this post because it's a term that many in the knife community are familiar with. By the true definition, just about every "kwaiken" is mislabeled.
The idea for this project came to me when I received an orphaned menuki (handle ornament) in a trade. It's a great piece, but it was cast away by several collectors because it lacked a second half. The quality and workmanship of the piece is outstanding and after finding it's way to me through 200+ years, I thought it deserved a better fate.
Note: Spots were used by Japanese artists of the Edo period to distinguish female tigers from males.
Steel is W2 with a presentation grade polish. Red samegawa under gold silk ito, wrapped naturally with no epoxy. 7 5/8" OAL. Sheath is lined with deer skin to minimize wear on the wrap and menuki.
I hope you guys enjoy it! Any comments/questions are encouraged!






Menuki close up:

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