Stuart Branson

You should of worn it around all weekend :)

That's a thought.

If I was really smart I would have paid you to wear it around all weekend. :p Then about 100 times more folks would have seen it - plus it could have shown up in all those cool videos you made. :thumbup:
 
Thanks to Ken, I got to see this piece up close... it is beautiful!!! :cool: :cool: :cool:

The saya/scabbard alone is something to behold!
 
Thank you very much Ken for this piece. I appreciate you indulging my desire to make this geometry and my endless fussing.

Thanks to everyone for the comments and encouragement.

I have several books on Japanese swords and this piece has always drawn me, in a geometry called Kata-Kiriha Zukuri. This one is an interpretation of a mid 17th century wakizashi from the Edo branch of the Yasutsugu family of smiths. This piece has always fascinated me for how the geometry, single fuller, and the hamon interact to create balance on the very different sides of the blade. I've wanted to try it for some time now.

Here is a pic of the original:

katakirihahistory1_zps763614c2.jpeg


I really liked how the hamon on the kiriha side (the top view) follows the lower shinogi line and is quite sedate and gentle in deference to the imposing fuller. On the shobu side (the lower) the hamon is wilder and more active and together there is a fascinating balance.


Central to the koshirae of this piece is the beautiful Edo period antique Fuchi and Kashira with inset dragons. This was one of the themes discussed and when I saw these I was pretty sure that it would fit very nicely in this piece.

The tsuba was a difficult piece to get right. At first I tried some traditional carving and quickly discovered how difficult it is so I shelved it and started again. (I think a course with Patrick Hastings is in my future).
It also occurred to me that I really wanted to highlight the beautiful fuchi/kashira and keep it light but also large enough to qualify as a wakizashi sized piece. To do this I forged a piece of wrought iron and did large cut-outs. I think the effect was achieved as it is large enough to be substantial but allows one to see the full interaction of the all the parts. Kind of a tying things together by omission, or negative space.
I think these shows what I mean:

katakiriha_5_zpsb1b2c6e5.jpg


katakiriha_3_zps6b47eafe.jpg


In the rush to get this to arrive in time for the BLADE show, I didn't get any great shots of the hamon but one part I really liked was this one. When thinking of themes the idea of something astronomical was discussed. By chance this little horsehead nebula showed up.. well that's what I thought when I saw it. :)

horseheadhamon_zps32657e43.jpeg

horseheadnebula_zps092c01a1.jpg


Here's a bit of the hamon on the other side.

hamon_01_zpsae782d8a.jpg


And heres a poorly lit video of the hamon on both sides.

[youtube]SFPZgDHt6l0[/youtube]

A video of the stand (made of Ipe) and a couple more of my photos.

[youtube]xmMc-LhDGns[/youtube]

lining the saya..

Iaito1_zps991bea89.jpg
Iaito2_zps8562c34f.jpg


a blurry shot of the fittings

katakiriha3_zpsd05db0ff.jpg


the two tsubas (you can see part of the dragon on the lower one)

katakiriha5_zps0e01de06.jpg


and finally one of the koshirae. Though this is darker, it looks to me a little closer to the colouring.

katakiriha_4_zpsaf139dcf.jpg



Thanks again!
 
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turned out so well. Last time I saw this piece, it was just pieces. Amazing how so many little things can come together to create such a harmonious whole.
That saya worked out awesome.
 
This is why Stuart is IMO one of the very best makers up and coming in the Japanese style that I can think of.
 
Outstanding my friend.....your work is on another level from most. :)
 
Ken, thank you for allowing me to handle this piece. It was absolutely beautiful! Stuart agonizes over the tiny little details more than I think I do:D . Congratulations on receiving an heirloom quality piece from a true craftsman and one hell of a guy.
 
This is truly an amazing work. I won't claim to know the ins and outs of this style, but I know what works to my eye. This one does in spades. Congratulations on the acquisition.

Chris
 
@stuart slick! great warm/earthy colour scheme, glad you didn't try to compete with the edo tosogu and went with the sukashi style for breathability, and your little ipe stands are always great with their reserved funk!

...i'm gonna have to see your saya lining method in person sometime...keep up the rad.
 
glad you didn't try to compete with the edo tosogu and went with the sukashi style for breathability

I haven't done much sculpture with chisels or carving but it always amazes me how different a mindset and process it is from line drawing. Whenever I try, my respect and admiration for those accomplished pieces grows and grows.
Thanks.


-Nice to see you here Roger.
 
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