- Joined
- Oct 16, 2010
- Messages
- 5,787
Hi fellas:
As some of you may know, I'm a stock removal guy. However, I've always admired the beauty of a well executed hamon, so I decided to incorporate it into my designs. Don Hanson III was kind enough to explain to me how he achieves a hamon and I incorporated his technique using W-2, 1095, and Satanite. Here are a few examples - as you can see, about the best I can get is a wavy hamon line:
What I can't seem to achieve is the ghosting and texturing patterns that are stunning - here's a couple great examples of what I'd like to try and achieve:
I hate to call Mr. Andersen or Hanson to bother them on the phone - we're all so busy filling orders. I was wondering if some of you Bladesmiths out there would be kind enough to share how you apply your clay to achieve these results.
Take care,
TK
As some of you may know, I'm a stock removal guy. However, I've always admired the beauty of a well executed hamon, so I decided to incorporate it into my designs. Don Hanson III was kind enough to explain to me how he achieves a hamon and I incorporated his technique using W-2, 1095, and Satanite. Here are a few examples - as you can see, about the best I can get is a wavy hamon line:
What I can't seem to achieve is the ghosting and texturing patterns that are stunning - here's a couple great examples of what I'd like to try and achieve:
I hate to call Mr. Andersen or Hanson to bother them on the phone - we're all so busy filling orders. I was wondering if some of you Bladesmiths out there would be kind enough to share how you apply your clay to achieve these results.
Take care,
TK