The AMAZING Paul Jarvis

ddd

Joined
Apr 6, 2003
Messages
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When I invited Paul Jarvis to participate as one of the Featured
Knife Artists in my second book "Art and Design in Modern Custom
Fixed-Blade Knives"
, the only place I found a picture of one or two
of his knives was in the "Points of Interest" books. He was not to be
found anywhere else and even not on the Web search that I made
at the time...
His knives were crying out to be displayed for all the world
to see and be awed... Lucky for us all, Paul had given some of his
knives to Eric of PointSeven to photograph and that was a great
place to begin with. I used Eric's pictures to re-create the illustrations
of Paul's knives for my book...


Paul Jarvis was born in 1962 and resides in Cambridge, Massachusetts.
Making knives since he was thirteen years old, he sold his first knife at
the age of fifteen. His unique talents arise from an inner passion to create
beautiful objects and he has chosen knives and jewelry to do this.
Paul started his apprenticeship as a mechanic during his second year at
high school working for a company that manufactured laboratory equipment
and dealt with material failure analysis. There he was involved in designing
and making one-of-a-kind jigs and fixtures, using accurate machining tools
and a variety of materials.
Twenty years later he began working for a company that sold industrial
supplies, running their machine shop and, again, doing mostly one-of-a-kind
highly specialized creative jobs.
Never having worked under any mentor, Paul is completely self-taught,
influenced mainly by 18th-century Japanese metal artists as well as
17th- and 18th-century European craftsmen. His art also shows the
influence of ancient Greek and classical Roman designs. His specialty
is high relief carving, sculpting and background texturing using only
hammers, chisels, punches and files. Sculpting his animal figures in gold
or silver usually takes him many weeks of delicate carving.
Gold, silver, bronze, exotic woods and various gems are his materials of
choice. He tends to seek out rare materials for his unique pieces, making
each one a very special and original work of art.
Paul does his art after work hours, every spare moment he has.
Some of his knives may therefore take weeks or even many months
to complete, ending up as extraordinary one-of-a-kind masterpieces.
He usually makes no more than ten knives per year.

Shown here is "Mura Masa", 2004
The blade is made of a 64-layer single bar of Twisted Damascus by
Daryl Meier, with carved grooves and Japanese Bonji figures.
All fittings are carved and pierced Sterling silver set with 23 garnets
in 14k gold bezels. Handle material is premium mammoth tooth.
This knife, shown from both sides, took Paul six months to complete.
Overall length 13" (330 mm).

All the best,
David Darom (ddd)

Texts and illustration from my book "Custom Fixed-Blade Knives" (2005)
picture.JPG
 
Those have always been a bit too much for my taste - certainly great skill displayer though.
 
Here is one more of Paul Jarvis' creations. This one took him
THREE MONTHS to complete...

"Topkapi Bowie", 1996
The 10 1/2" (267 mm) blade is fabricated from 64-layer Damascus by Daryl Meier.
The mammoth ivory handle features carved Sterling silver augmented by
twenty-two garnets and eighteen tourmalines. Knife took three months
to complete.
Sheath by Chris Kravitt.
Overall length 18" (457 mm).

All the best,
David Darom (ddd)

From my book ".. Custom Fixed-Blade Knives"
picture.JPG
 
I like my knives (to be) on the extravagant side of life so these are right up my alley:thumbup::thumbup:

Marcel
 
I sat down and talked to Paul at a small NCCA show a couple of weeks ago. His market is hardly the local prevalent slipjoint crowd, yet he sets up and displays nonetheless. About as humble a maker as I have EVER met.

An acquired taste for sure, but like all rich tastes, it has lots of satisfaction for the initiated.

I like Paul and his work, and wish him well.

Coop
 
Marcel, you and I are alike. I think Paul's work is terrific. Heck these are for show and not for use. I'd prefer less jewels on the handle to hold it more comfortably but these are terrific works of art. still have not won the lottery though.
 
Coop - I am guessing you had seen Paul at the NCCA show a few weeks ago at the Best Western in East Windsor Ct?

I saw him there and as always, he is a pleasure to chat with. He is always gracious and will explain any of the intracacies of making his knives that you may want to know.

While I was hanging out at his table, another collector came by with a very fine Japanese blade. I already knew about the skills Paul has in making his knives, but I was also impressed by his expertise of Japanese steel.

When I first met him, he used to make a lot of Japanese style knives and Balisongs. Everything i've ever seen was superbly done.

Peter
 
I have always enjoyed talking with Paul and studying his work. Always nice, unassuming and patient. Although not a style I collect, the ambitious long projects of his I have seen are just incredible with piercing and carving that is off the hook. He is very soft-spoken, but obviously very passionate and it shows in his style.

I always look forward to seeing him and his work.
 
Peter, How did we miss each other? Dang. I sat at the table next to Paul for an hour going over new photo work for a client on my laptop. I also walked the show. I may have elbowed you to get a better view of a few knives.... ;)

Gus: Perfectly said.

OK, here is my one and only Paul Jarvis shot:

orig.jpg


A real oldie (for me) but goodie.

Coop
 
Here is a small knife Paul Jarvis made specially for my book.
Also shown are two details of the knife and the hand tools Paul
uses to do most of his embellishments.......


"Kwaiken", 2003
The blade is made of a single bar of Twisted Damascus by Daryl Meier.
Fittings are of sculpted and textured bronze that have been blackened
and have polished raised rims. Habaki, guard and bezel are Sterling silver.
Two 7 mm garnets are set in the bezel. Handle and scabbard are made
of carved ivory. Overall length 7 3/4" (196 mm).

In Paul's words: "I finished the blade planning to make an European style dagger,
using wood for the handle. Creating the habaki was so pleasing that I decided to
complement it with ivory. The matching ivory scabbard actually took longer to make
than the knife itself..."
.


From my book ".. Custom Fixed-Blade Knives"
picture.JPG


Texturing techniques

Paul does the indentations and stippling textures on his knives using a
hammer and various types of punches.
Texturing the bronze is done with a U-shaped punch of a very small edge
diameter. The silver bezel is worked on with a needle-point punch.
This is a very time consuming art, as each indentation is struck separately and
with great care. Some of the tools Paul uses to create these visually exciting
textures can be seen below.

From my book ".. Custom Fixed-Blade Knives"
picture.JPG


picture.JPG


picture.JPG


All the best,
David Darom (ddd)
 
I've seen Paul's work only from pictures until now but it really appeals to me. Although just like Murray his "less ornate" ones (with that I mean the ones with less jewels in them) like "Kamakura" or "Shimenwa" (pages 177 and 178 in David's book) attract me the most.

I hope to see him and his work in Atlanta.....and maybe even talk about something nice (and affordable) for me.

Marcel
 
Peter, How did we miss each other? Dang. I sat at the table next to Paul for an hour going over new photo work for a client on my laptop. I also walked the show. I may have elbowed you to get a better view of a few knives.... ;)

Coop - I spent around an hour at Pauls table. It was around noon or maybe 1:00 pm. I kind of lose track of time while feasting my eyes. As I mentioned, while I was there another fellow came by to show Paul a fine Japanese blade he had recently acquired. It was a learning experience for me as I did not know the formal name of the blade or the wood case they are carried in. Paul explained it, but unfortunately I have forgotten.

I'm disappointed I didn't notice you there as I would have enjoyed meeting you. After leaving Paul's table I spent a while talking to Lamont Coombs who was in the opposite corner as Paul. It was an enjoyable show.:D

Peter
 
I find that I like some of the knives that Paul makes, but most are not of a style that I find appealing. Without doubt though, he has amazing talent as an artist and knifemaker.
 
David - the last few threads you started were great. Do you have somewhere a stash of pictures that eventually didn't make it into your gorgeous books? We'd like to see those... :D
 
Yes, Marcel, you made an amazing choice! Here is "Kamakura" for
everyone to enjoy... This is a composite picture showing both sides of
the knife and the scabbard.
This knife and scabbard took Paul Jarvis seven months to complete.

"Kamakura", 1996
The blade is made of a single bar of Twisted Damascus by Daryl Meier, with
carved grooves. All fittings are carved Sterling silver, and the carved silver
peony blossoms in high relief have 24k gold inlays. Handle and scabbard are
made of mammoth bone wrapped with 14k gold wire.
This knife and scabbard took Paul seven months to complete.
Overall length 11 3/4" (298 mm).


All the best,
David Darom (ddd)

From my book ".. Custom Fixed-Blade Knives"
picture.JPG
 
from the little exposure I've had to Paul Jarvis' knives, mostly from David's books, I'll say that he is one of my favourites. There's just something about the shapes and textures and the materials that all just brings these creations to a high plane of existence.
Ostentatious? Could be. Sublime? I think so.
I'd love to meet the man and find out where he's coming from with his Art.
 
Good thread you brought back Lorien. Actually quite interesting to read as following this time frame, Marcel was able to purchase a Paul Jarvis dagger after which he and I consummated a trade and the knife now resides on my fireplace mantel (no heat comes near it folks) facing my David Broadwell bowie.

First the Paul Jarvis with stand

orig.jpg


and a multiple image

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I still have been unable to reach PJ to learn what the Japanese figures actually mean. Maybe someday.

Oh, and here is the Broadwell

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just a couple of knives in a whole large display including a Wolfe series and a couple of others.
 
I may be wrong but I remember him for carving some faces on pommels. Really outstanding work and many years ago too. I've seen his work in the annuals so there must be a stash somewhere.
 
Good thread you brought back Lorien. Actually quite interesting to read as following this time frame, Marcel was able to purchase a Paul Jarvis dagger after which he and I consummated a trade and the knife now resides on my fireplace mantel (no heat comes near it folks) facing my David Broadwell bowie.

First the Paul Jarvis with stand

orig.jpg


and a multiple image

orig.jpg


I still have been unable to reach PJ to learn what the Japanese figures actually mean. Maybe someday.


Murray I bumped the thread, and those seem more arabic than japanese to me.
 
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