The Blade Show-A LOT of Overpriced Customs

fal said:
I Need Help. Have A Bill Burke Camp Knife And Need His Phone And Address To Send The Knife. I Have Some Scratches I Want To See If Can Be Removed.

GOOD JOB!!:confused: You have stumbled into a thread completely unrelated to your specific plight, but in a way, it is fitting.

Bill Burke can be reached at burke531@salmoninternet.com, email him, and he will give you contact info.

Best Regards,

STeven Garsson
 
Unfortunately, there are several makers who fell into that trap.

Jack Crain, Steve Corkum and James Piorek come to mind.

For those of you seeking a Jack Crain knife...DO NOT ORDER ONE FROM HIM AND SEND HIM MONEY. No deposit, no advance payment not a Dollar, Yen, Mark, or any other currency.

Corkum seems to have been thrashed soundly here on BF's in the Good, Band and Ugly section.

Draper worked early on with guys like Buster Warenski, Gil Hibben, Steve Johnson and Jim Ence. They had quite the group in Utah many years ago.

WWG
 
WWG, you have a lot to offer but you were wrong about Don Fogg. He does bring new guys into the craft of the forged blade, both makers and collectors. I know you were using him as an example but you're still wrong, do your research :) Fogg has done more for the custom knife world than most will ever know, he just does it in a quiet way. Don has been giving demos at hammer ins for at least 25 years. Check out the site map on his web site, it's huge and full of information for the maker or collector. Also one of, if not the longest running web sites on custom knives. His bladesmith forum is also a wealth of information and he is very active there. I have a great deal of respect for Don Fogg and what he has done for custom knives. He also has become a Master Smith twice in the ABS, no easy task.

This thread is loaded with great information but also laced with opinions, mine included:D

Edited for spelling.
 
Anthony! Thank you so much for mentioning Jim Merritts name in this thread. Jim has to be one of the most talented grinders, I have ever seen. Loveless once told me when I was feeling a little bored with doing a given pattern, that anyone can make a good knife. Many can make a great knife, but that it takes a real maker to make the same knife over and over again, that looks almost identical. I had never really thought about that. I knew that making matched sets was a challenge,but now think in terms of thousands. Bob said that when some guys dad or granddaddy calls to order a knife for their son, they expect to get something like they had years ago, and were so proud of. You can not disappoint them. I now look at making a dozen hunters as a challenge, rather than monotonous. Jim is a master at this, and my hat is off to him. Shame that more people don't know who he is. For those that don't, let me say it here. Jim is Bob Loveless's partner of 25 years, and is a true master maker in every respect. Not to mention a great mentor!!! Exelent Thread Guy's. Mike Lovett http://www.lovettknives.com/
 
HI Sunfishman,

Obviously people are not reading what I wrote. I was using Don as an example, the same as Tim Hancock and Kit Carson. I guess the Hancock and Carson defenders understand what I was writing.

I wrote (if you go back and read) that Don is an extremely gifted blade smith.

I guess this is why Sanchez and others do not want to mention names. Because people mis-read or mis-interpret what you write. Then they feel obliged to ride to the rescue of someone who has not been slighted.

For those of you who know Don, please pass along that my example using him was not done with malice. Remember the context my comments were used in. We were discussing world class makers; how, what and why contributes to them losing their position due to lack of communication with their collectors.

You will also note I mentioned, Buster Warenski, Fred Carter, Willie Rigney, Billy Imel and Herman Schneider. Im sure Don would be pleased to be listed in their company. For a decade or more these were considered top ten makers on anyone's list.

Would I have been better off using John M. Smith of Centralia Il as an example. An incredibly gifted blade smith and knife maker. Who for reasons unknown, like a marble he rolled to the end of the table and dropped off. John Greene talked him into coming to his show this past winter in the Napa Valley. I never thought he would have gotten him there. I could have used John as an example, but other than Anthony and I what percentage of the people reading this would know who he is.

Everyone knows who Don is. Due not only to his contributions but to Joss talking about him on this forum and on occasion posting pictures. I have been informed of Don's situation. As someone wrote earlier "you wouldn't wish this on your worst enemy". They are 100% correct.

WWG
 
WoodWorkGhost said:
Would I have been better off using John M. Smith of Centralia Il as an example. An incredibly gifted blade smith and knife maker. Who for reasons unknown, like a marble he rolled to the end of the table and dropped off. John Greene talked him into coming to his show this past winter in the Napa Valley. I never thought he would have gotten him there. I could have used John as an example, but other than Anthony and I what percentage of the people reading this would know who he is.

As someone wrote earlier "you wouldn't wish this on your worst enemy". They are 100% correct.

WWG

Yes, you would have been better off using John M. Smith as an example.:D And there are a whole lot more people than you and Anthony that would have understood.

Personally, I would have used Doug Casteel or better yet, in the context of this discussion, Michael Veit. His damascus pieces were refined and elegant, and commanded top dollar at the time (1990's) but where is he now? What value do his knives hold to the aftermarket, that once commanded four figures?

As Don Hanson indicated, Don Fogg is very much active in the community. Actually, he is his own Island!:D There is very much a Don Fogg school, and the knife community is much indebted to him for that. He shares his findings, he has a state-of-the-art website, which as you said, could use an update, but the current state of things, is just fine, and he has been driving the hamon/temperline as a required element of certain carbon steel blades, as much as Jerry Fisk has been driving well-executed hand satin polishes, and has been doing so, for over 10 YEARS.

He was one of the founding members of the New England Bladesmith's Guild gathering at Ashokan, which is as, if not more than, important as ANY ABS hammer-in extant, started in, I believe, 1982.

There are certain makers that are always sought after, regardless of how well known they are. Don is one of those rare few. I call him Sensei, and the only other person that I call Sensei, is my Sensei, Masayuki Shimabukuro, Hanshi, who has been studying and teaching martial arts for over 30 years. It is not a title given lightly.

Check out Don's website, and read this: http://www.dfoggknives.com/wayof.htm

Come back, and tell us what you think, and what observations you have made, after that fact.

Humbly,

STeven Garsson
 
Hi STeven,

Fair enough.

I thought about Doug, but I thought even that might have been to vague a reference. He defintely is an extremely gifted maker who through a similar set of cirumstances to Don's left the custom knife community for awhile. I have seen him at a few shows over the last couple of years. He is still doing great work.

Although to him it must seem like having to start over again. I remember being at one of the first shows Doug ever went to and was awe struck by his abilities. Not just knife making but other artistic talents as well. His wife was a very gifted maker as well.

I realize that others will know who John is, I guess I just have to list your name every time:D I know you now who all of these makers are. Man you are "Old School" !

WWG
 
Kohai999 said:
...Michael Veit. His damascus pieces were refined and elegant, and commanded top dollar at the time (1990's) but where is he now? What value do his knives hold to the aftermarket, that once commanded four figures?

Wow, those are amazing knives. Who knows where they are now...
 
This thread certainly has legs, and not to stray much further, I have a couple observations that I think still deal with the original post, as well as many other branches that have come up.

And, not to make this a Don Fogg thread, but since we’re talking about him, it brings to mind a good point. I observed several years ago that most buyers of handmade knives were motivated to buy their first knife, and many times every subsequent knife, because they were inspired by the process the maker used to make the knife.

There are several tactics that makers and dealers use to sell knives, but I think that Don, in his unassuming way, has long ago mastered the art of the story. His website in most areas needs no update because his work is timeless, as are his methods and values. (By the way, that website is far more classy, with much better photos than some dealers sites.) The reason the site is there is not to give out his itinerary so much as it is to draw you in. You can get lost in his site, and I think that’s not an accident. I’m sure many people reading this remember the first time they stumbled on his web site and found themselves reading page after page and studying photo after photo long after their wife was asleep.

Les appeals to a buyers need for security (buy back policy) and profit (guaranteed return). He’s there to hold the hand of the uncertain buyer and guide them through a sale.

Don appeals to buyers (and countless makers) on a deeper level that lets you see the hand of the ancient craftsman, working alone in a small shop, creating objects of such precision and beauty that the observer finds themselves disbelieving that the finished product was simply the sum of the tools. The masses are generally unaware that men still live that can make things with their hands of the likes of Don’s. Don lets you into his world as far as you want to come. The buyers are drawn in far enough to appreciate the work, the skill and the artistry without needing to know how to do it themselves, and they reach for their wallets without calculating their ROI. The other makers who want to be where Don is are allowed access to his knowledge for the asking.

I am not a close, personal friend of Don’s, and I do not speak for him. If he chooses to limit his time away from home by skipping some shows, do not delude yourself into believing that a presence at shows (which many failures have in spades) is equal to the contribution that Don has and continues to make; not only in advancing the craft for other makers, but in successfully reaching the masses with the romance of hand-forged knives in a way that few ever have. I’ll say it right now: If he never did another show, he would still be in the forefront of our craft as long as he chooses, and his knives will be desired long after he is gone.

Want to know why some guys get more for their knives than others? Because some makers get this and some don’t.
 
WoodWorkGhost said:
HI Bandaid,

The collection I was writing about was put together over 5 years. As it is a collection it has not been sold. However, pieces could be liqudated virtually overnight at a substantial profit. Fortunately, the collector does not need to liquidate. However, shortly after he started putting the collection together "investment" and ROI did become a concern with regards to purchasing.

Regarding others who have bought and liquidated their invesments at a substantial profit that would be between them and their broker.

Bandaid, there are no easy answers, there are no investment trends to track. If you pay attention to this thread there are few if any who believe custom knives can actually be considered an investment, with the length of the term being of no concern.

It seems that most here want the easy way out and want a guarantee.

Bandaid, do you know of any investment vehicles prospectus that offers any kind of guaranteed ROI on their products. If you do let me know.

Les Robertson offers a guaranteed 10% return on your investment in custom knives. There it is. No more research, no more wondering and a guarantee.

You want a guaranteed ROI you now know where to go.

WWG

Les,

i do not want a guarantee from you. i just want to know if you can substantiate what you claim. you are very specific in examples of knives that appreciate...but have you really translated that into real cash profits for your clients? i am not talking about a paltry hundred bucks either. i do not think you would gravely violate a sacred dealer/client privilege by answering the questions

i restate

1. you have set forth a benchmark $45k profit in 5 years from a 5k initial investment. all i would like to know is if you had ANY customers who made a $45K profit last year from their knife investments.

2. do you have any clients who have made a minimum $10k profit (a much easier figure) yearly for the last 5 years?

3. i will make it easier for you if the answer is no to #2...how about $5k/yr for the last 5?

if you can provide rough examples of how they did so (ie bought x amount of knives for 4000 bucks, sold later for 15k), it would greatly assist in the judging the veracity of your reply. if this presents a problem i will be satisfied with a simple y/n.


as far as your "guarantee". you ask if there are any other investments that offer a "guaranteed ROI". of course US treasuries come to mind, especially i bonds which do guarantee a return based on the full faith and backing of the US governement. there are a multitude of bonds and other securities that promise the same thing, although they are clearly not as secure as the good ol USA and usually have to pay a higher rate

you state that Les Robertson guarantees a 10% return and no more research is needed. that is one of the sillier things you have ever said. thanks for the laugh :)
 
to anthony lombardo

i think you have started an excellent thread and i enjoy your posts.

collecting knives is fun and i hope it is very profitable for everyone.
 
Making real money dealing in any collectables market (call it investing if it makes you happy) requires a through knowledge of both the product AND the market. I think that's what WWG has been saying and it's certainly true. The same applies to rare books, Matchbox cars and most other collectables.

My Dad has dealt in antique glassware for the last 40 years and is quite an expert. He also makes money in the business. More importantly, he loves the stuff. That's why he got into it all those years ago.

The thing is, that unless you have a real interest in the collectable you're dealing with, why bother? It will take a tremendous amount of time and effort to learn enough about knives and the knife market to make money and then it's not a hobby, it's WORK. Put that amount of time and energy into another field (like Wall Street) and you should be able to make enough money to not have to worry about turning a profit on a $1000 knife.
 
Does Les have a prospectus ;)

From the perspective of a relatively new collector, the secondary market is relatively opaque. Even with the good advice & information available here & other places it's still a bit difficult.

In a number of cases I have little idea the markup (or markdown) the seller is getting, nor what similar pieces have sold for in the past. With current makers, who are reasonably active this isn't as large a problem. I can contact the maker and find out what they charge, what their wait time is and get an ok idea of whether or not I'm getting a 'good deal'. But with makers who have limited output, or are retired and few pieces come to market... there is usually little to go on.

Even leaving aside the idea of knives as investments for the moment (as I'm not an 'investor', just a collector), this poses a quandry for collectors in general. I don't think anyone wants to overpay, though for certain pieces we really love we're probably willing to. But if I have no idea whether something is a screaming bargain or ridiculously overpriced, then I'm not buying it - no matter how much that piece may appeal to me. I have this problem right now with a couple of pieces.

This is something dealers could help with. Most dealers websites remove pictures & prices of knives that are sold. I would love if that information remained online in an archive section of a site. Bladegallery leaves the pictures & information intact - which I think is great, as it allows me to see how a maker has progressed in their career, and the different styles they work in. If the prices were also available that would help a collector see what trends, if any, have developed.

In the art world at large there are a number of places to go to get auction results, which can help with valuation. Nothing like that exists for the custom knife market - because, besides ebay, most pieces that are sold don't sell through auction.

I'm reminded of a quote about the contemporary art market - "Upshot: If you're thinking about collecting contemporary art, don't. ...the art market is a high-stakes game played among sophisticated insiders, and *you* weren't invited"

Fortunately the custom knife world isn't like this, and I hope it isn't in the future.

On an entirely different note - what Burt had to say about Don Fogg & his contributions does an excellent job of summing up my thoughts, though in a far more elegant and well stated manner than I could have done myself.
 
Burt Foster said:
.....There are several tactics that makers and dealers use to sell knives, but I think that Don, in his unassuming way, has long ago mastered the art of the story. His website in most areas needs no update because his work is timeless, as are his methods and values. (By the way, that website is far more classy, with much better photos than some dealers sites.) The reason the site is there is not to give out his itinerary so much as it is to draw you in. You can get lost in his site, and I think that’s not an accident. I’m sure many people reading this remember the first time they stumbled on his web site and found themselves reading page after page and studying photo after photo long after their wife was asleep.

Les appeals to a buyers need for security (buy back policy) and profit (guaranteed return). He’s there to hold the hand of the uncertain buyer and guide them through a sale.

Don appeals to buyers (and countless makers) on a deeper level that lets you see the hand of the ancient craftsman, working alone in a small shop, creating objects of such precision and beauty that the observer finds themselves disbelieving that the finished product was simply the sum of the tools. The masses are generally unaware that men still live that can make things with their hands of the likes of Don’s. Don lets you into his world as far as you want to come. The buyers are drawn in far enough to appreciate the work, the skill and the artistry without needing to know how to do it themselves, and they reach for their wallets without calculating their ROI. The other makers who want to be where Don is are allowed access to his knowledge for the asking.....

Burt raises a very good point here. Fogg's site was one of the first that I ever came across that really presented - in an attractive, informative and entirely comprehensible way - the craft of the bladesmith. And it manages to capture the romance of that craft without straying into the repugnant arena of snake-oil selling. I think that "selling the craft" is one of the most important ways of bringing new collectors / enthusiasts into the fold - it gives them the understanding of what makes the end product something special. And something worth spending their hard-earned dollars on.

It's no surprise that Burt picked up on this, because if you give Burt's site a thorough read you will find a boatload of terrific information - presented in quality photos and extremely well-written text - that conveys the craft of the forged blade in a most compelling way. Also snake-oil free. ;)

And since Les was mentioned, let me add that beyond the factors mentioned by Burt, Les is a great source of information and knowledge for the new and seasoned knife nut alike. I have learned a tremendous amount from him and continue to do so. The newer collector in particular can benefit from his counsel on how to spend those hard-earned dollars well.

Cheers,

Roger
 
Roger, long before *anyone* had a web site, I was privileged to be a member of an early internet newsgroup called the "Knife List". Don Fogg was an active contributor (as well as many other fine makers of the day), and it was obvious even then that he was not new to sharing his experience and perspective.

Don has been giving for a long time, and shepherding newbies into the fold. The knife community would not be the same without him.
 
Kohai999 said:
Hans, it makes me cringe as much to see the scratches on your Foster from use, as it does for you to see me Garssonize it, so I guess we are even.:)

fair enough! :)

brightred
 
Hi Guys. My name is Coop. I am a collector...

Crowd: "Hi Coop!"

Absolutely top rate info. Both from the clarifications and surveying of Don Fogg, to WWG's original analysis of his long-term business plan. (Which is a model that won't apply to Don, but he is the anomoly.)

My 'favorite maker' is a little-known forger/maker named Hill Pearce. Top-level work, a style that was ahead of its time, and his marble completely rolled off the tabel around 1991. For reasons that confound even me, I enjoy his work and have paid top-dollar for them.

I own a number of knives that would fall short in any investment scheme, but still bring me delight. They may represent a maker who was a better people-person than a businessman. I am certain we all have items we cherish in our collections that fall into this category. No regrets.

My point is that I still will 'buy what I like'. Although it is the warning tenet that Les Robertson always advises--with a chuckle. In the end I help perpetuate the craft, if not my wallet. C'est la vie.

This has been a rewarding thread.

Coop
 
Bandaidman,

You wrote:

"Les Robertson guarantees a 10% return and no more research is needed. that is one of the sillier things you have ever said. thanks for the laugh"

How is this funny? Is there anyone else in custom knives, maker or dealer who will offer this guarantee.

US Treasuries offer a guarantee and so do Savings Bonds, but not anywhere near 10% and not in 12 months or less.

Are there people who make 10K a year reselling knives as investments sure. For this you have to have a varied portfolio and now when to buy and when to sell.

If you want to make $10,000 a year guaranteed sounds to me like you need to invest $100,000 with Les.

Can the average or even more advanced collector make 10K a year, I don't think so.

My collection grew in value over several years. I haven't made the 45K because I haven't sold it, why because it is my collection. I also purchased coins 18 years ago as investment, I had to wait forever but those are now good investments. Same with Assault rifles, bought a lot of those and sold them for a nice profit (when I had my FFL). My kids got into Beanie Babies when they were hot and each one made over $2,500 in less than a year. Point is if you understand the collectible markets you can make money in them. Two years ago when banks were paying less than 1% for savings accounts and CD's were right around 2%. Just about any knife you bought from a well known maker you could make 5% on if you resold it while the market was still hot for those. Now that CD's are pushing 6% or more in some places, you need to invest more wisely to figure out which ones will bring 10 - 15%.

Questions:

1) do you have any clients who have made a minimum $10k profit (a much easier figure) yearly for the last 5 years? Yes.

2. I will make it easier for you if the answer is no to #2...how about $5k/yr for the last 5? Yes

if you can provide rough examples of how they did so (ie bought x amount of knives for 4000 bucks, sold later for 15k), it would greatly assist in the judging the veracity of your reply. if this presents a problem i will be satisfied with a simple y/n. What they bought then has little or no impact on what you would have to buy today.

Ok example. I had a client who got drawn for an Onion ($800) and two Boguszewski's (2,000) at the Las Vegas Tactical Knife nvitational. He sold all three before he left the room for $7,800. The next day he got drawn for another Onion ($800) sold it for $3,200. His purchase price was $3,600 and he sold those knives for $11,000. A profit of $7400 in less than 24 hours. A total ROI of about 250%.

Can you count on getting 2 Onions and 2 Boguszewski's at a show? No. Does it happen? Yes.

The key for these investors is that they have the money to invest and they are early adopters of new types of knives. They purchase several of the new makers knives. As the demand increases they start to sell off the knives making anywhere from 10 - 20% in less than a year. They continue to keep knives on order with this maker and continue to resell them. Until they start they hit the point of diminshing returns (the investor would set that trigger). At that point they divest themselves of that makers work and move on to the next maker.

This happened when Emerson knives hit a certain point the resale value in the aftermarket started to come down. Many of those people moved to Ken Onions knives. As Ken's aftermarket started to cool, one of the major buyers of his work started buying Boguszewskis (and he still buys Onions).

If you had bought $3,000 worth of George Herron's knives per year (starting about 10 years ago) Up until about 2 years ago when George semi-retired. That would have been 8-10 knives. The Stag handled Skinner you bought for $350 would today be selling for around $1,500. Your ROI would be right at 325% (over 10 years) you would have had a average annual ROI for 32.5%. Even adjusting for inflation you would have seen a return over 26%.

Now which example of a US Treasury are you going to show me will give you 26% return (and you have to adjust for inflation as well as the 25% Short Term Capital Gain, if you sell in less than 12 months. As the US Treasury Dept. will send a note to you and the IRS informing both of you of your profit. Where as Mr. Herron is not going to do that).

Again, is it easy no. Can it be done yes.

Bandaidman, if you want to be an ivestor it is going to cost you time and money. You will have gain a fair amount of expertise of both the current and future custom knife market. You will have to be able to accurately predict future wants and desires of the collectors and which makers will be able to fill those needs. Then you will have to put your money where your mouth is and buy the knives. Then you will have sell them to gain any profit on your investment. It is only then will you realize if you knew what you were doing or not. How is that for a laugh.

If you are not willing to risk your money on your ability to forcecast market trends then you should not attempt this.

Ok, I'll give you one with training wheels. Contact Mike Obenauf, order a Large Model 2 (it will take you 6 months or so to get it). Then post it on your favorite selling place. THe knife is $375 + $15 for S/H your total investment will be $390. Your asking price will be $450. If it takes you a year to sell this knife your ROI will have been slightly over 15%. Which investment do you have that will get you a 15% return this year?

Now lets say you're really aggressive and you order 6 of these knives. Instead of shipping costing you $15 it costs $20...but for all 6 knives. Now each knife costs you only $378.33. Now your ROI jumps to 18%. The first 5 you sell and make a profit of 71.67 per knife X 5 = $358.35. You now have $19.98 of your money into the 6th knife.

BTW, Les sells Mike's knives at $375 (Mike's retail). You dont even have to contact the maker. See how easy he makes it.

Pick your next maker and repeat.

Like I said you will have to spend your time and money.

This is how build a $50,000 collection with $5,000 worth of your money.

THe adivce for the first $50,000 was free. Any more information and I will have to charge you. :D

WWG
 
All this investment talk is wearing me out! Too much like work!

The main problem with making the leap from hobby to investment, is that the wife may get the idea that YOUR knife investments should be "redeployed" into new kitchen appliances or jewelry. :eek: No thanks.

While I think that a strong argument could be made that Les's word is a superior guarantee to the full faith and credit of the US Treasury, most people (outside the knife world) might not think so. ;) I think that I will hold out for 15%.

This thread should probably be archived for the BLOG Hall of Fame. :thumbup:
 
Hi Peter,

Im with you. Custom knives is only a very small portion of my portfolio.

Now back to what Anthony didn't like about overpriced knives at the Blade Show.


WWG
No Longer an Investor in custom knives. :thumbdn:
 
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