The Old and the New - Sleeveboard

lambertiana

Gold Member
Joined
Jul 7, 2000
Messages
9,328
And now that I have a GEC 79 I can compare it to some old sleeveboards:




Left to right:
NYKC 1856-1931 bone
Cattaraugus 1886-1963 bone
Axel Nilsson 1900-1914 ebony
GEC 79 African blackwood
Maher & Grosh 1877-198? ebony

For period reference, first a page from the 1886 HSB catalog


A Maher & Grosh ad from about 1877


And a NYKC from a 1902 catalog
 
Again, Awesome Thread Lambetiana - I like the way you have set out the thread with comparisons - together with the fantastic old Brochures-a lot of trouble you have gone to-thank you for that kind Sir-by the way THAT Axel Nilsson is just a superb looking knife-can you tell me about it, and if I could trouble you to show more please- thanks again!
By the way - I was surprised at the agreesive advertising wording in the Maher & Grosh Brochure/pamphlet- #59 - "The large class of idiots who worship everything English...."
 
hehe i see what your talking about there about the english quote, too funny
i agree, lots of effort putting these together, great layout!

but i got a question. whats the deal with the sleeveboards? its it purely aesthetic? or is there a traditional, functional reason for the handles to be this sorta shape? I am curious since this is another pattern outside of my experience. thanks in advance!

Ryan
 
Here are a few asst. sleeveboards. Happy Sunday folks.

Best regards
Robin
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but i got a question. whats the deal with the sleeveboards? its it purely aesthetic? or is there a traditional, functional reason for the handles to be this sorta shape? I am curious since this is another pattern outside of my experience. thanks in advance!

Ryan

I think the shape is very functional. On penknives and whittlers, the handle is wider at the master blade end for greater support and narrower at the small blade end.

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The sleeveboard shape is also very traditional for lobster patterns where the Y-shaped spring needs a wider handle at one end.

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Again, Awesome Thread Lambetiana - I like the way you have set out the thread with comparisons - together with the fantastic old Brochures-a lot of trouble you have gone to-thank you for that kind Sir-by the way THAT Axel Nilsson is just a superb looking knife-can you tell me about it, and if I could trouble you to show more please- thanks again!
By the way - I was surprised at the agreesive advertising wording in the Maher & Grosh Brochure/pamphlet- #59 - "The large class of idiots who worship everything English...."

The Axel Nilsson was made for J.M. Thompson Hardware in Minneapolis, Minnesota. There were a lot of Swedish immigrants in that area, so they played that up with both the name of the brand, and with a tang stamp that includes the words "Swedish Steel". Here are more pics






 
The Axel Nilsson was made for J.M. Thompson Hardware in Minneapolis, Minnesota. There were a lot of Swedish immigrants in that area, so they played that up with both the name of the brand, and with a tang stamp that includes the words "Swedish Steel". Here are more pics

I've never seen this brand, and yours is a beautiful piece! I'd like to add that Swedish steel didn't just appeal to Swedish immigrants, tho~ Swedish iron and steel was smelted using high quality ore and charcoal instead coal like it was in England and Germany. Both of these variables contributed to Swedish steel having a well deserved reputation as a superior product.
 
Here is my Cattaraugus by AG Russell Sleeveboard Whittler.

Neat knife
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Great knives! As I have mentioned a million times on the forum, the sleeveboard has been my favorite patterns for a while. The only one I have at the moment is this #79 but hopefully at some point will pick up a #26.
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Very interesting bone on that example Mike Robuck, kind of enhanced version of CASE's Amber Bone. Here's a 26 in Primitive Bone

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