Chris "Anagarika";12461252 said:
Perhaps HH can elaborate more the theory behind this.
Glad its working out for you!
Theory behind it is to increase bite of the abrasive when using compounds and to just work better when using paper/film substrates to sharpen. And to do this in a repeatable and tweakable manner.
I noticed huge differences in how abrasives "bite" depending on how they're used - same compound on paper, leather, oak lapping board all have very different edge characteristics
and scratch pattern. Sounds like a no-brainer right, by changing how resilient the backing is, you effectively change the pressure the abrasive is exerting without changing the overall pressure. How to manipulate that? A lot of trial and error.
The fine lands (top of the fine grooves) bite into the paper and compress it, but still have enough surface area to grip compound. Used plain, they simply compress the surface. The crosswise relief cuts do a couple of things - first they give a ton of feedback as the edge passes across, really lets you know by feel what pitch/angle your edge is at. Takes very few passes to get a feel for this. Second, they expose sharp peaks on the leading edge of the lands, increasing the bite on the abrasive even more. For burr removal on paper, one can elevate the spine a couple degrees ( personal preference - can be used at original angle too) and this mechanism works very well to clean up the edge - also does a good job of polishing back bevels. Third, they effectively decrease overall surface area yet again, further increasing effective spot pressure - surface area is now a small fraction of what even a very hard flat surface would be under a sheet of paper. Adding additional sheets of paper softens the effect and makes for a slightly finer scratch pattern with the same abrasive. Good for convex and Scandi grinds, or with light pressure to further refine an edge. Somewhere around two or three sheets one gets close to the effect one would have from wrapping paper around a stone.
It gets a lot of work done with compounds, this was its original function. No longer practical to do frequent cleaning on leather or canvas, the thing is removing steel on the order of a fine hone. I still strop with newspaper wrapped around a stone or edge of countertop sometimes, but for a system to work best it has to be repeatable. The arrangement of teeth on the Washboard work best with lined writing paper or 20# bond copy paper (75 GSM). Writing and copy paper will be around for a long time, newspapers probably not.
Also, because it provides a ton of feedback it works great on lapping film and sandpaper. Is making use of the Washboard texture - the pattern of swarf buildup clearly shows the tops of the lands making most of the contact. I'd swear it creates less burr and is easier to remove the burr, especially with a light pass or two edge leading - paper seems to catch/get cut less often. Also seems to carve cleaner shoulder transitions - looks more like stone work than what I get from sandpaper over a metal plate.
Have been working feverishly to make a compound that work best with this system - most compounds and powders will work quite well anyway, but I've wanted something that grips the paper "just so". Finally have something that seems to make best use of how the Wasboard works. With one sheet of paper, creates an edge comparable to a 4k JWS - still 3 finger sticky but pretty refined, polished satin scratch pattern.
Still hope to have some ready by end of week, but might have to push into early the following week....
HH