Henry Beige
Gold Member
- Joined
- Jun 1, 2015
- Messages
- 3,723
As. Kid, I know I had pocket knives, because I played chicken and mumblety peg, which I could not otherwise have done. One of them was a demo knife; I have no specific recollection what any others might have been.
Around 1960, I took an interest in knives after seeing “West Side Story” on Broadway. I got a little gravity knife that looked like an Italian switchblade, and carried it for a couple of years. So I guess you could say it was Leonard Bernstein who got me into knives.
For the next ten years, I went without, until I realized if I was going to backpack around europe, I was going to need a knife to slice cheese and bread and sausage, and maybe to rig some guy lines for a tarp shelter. In Amsterdam I paid about six bucks for the Löwen Messer Hippekniep that I still have today.
Over the next few decades, I accumulated a bunch of Opinels and a bunch of SAKs to carry on my motorbikes, in supplementation of the tool kits. I never carried them on my person, because I didn’t want a hard lump of anything in my pockets in case I did the Flying W followed by a face plant on asphalt. Along the way, I also picked up the Tapio Wirkkala Puukko from the Brookstone catalog, the Vic Mauser-labeled GAK, again out of a catalog, and my first Anza, at a motorcycle swap meet. Charlie Davis was somewhere on the premises, but I bought the knife from his wife or girl friend who was manning his table.
Over this period, the Opinel was my idea of a perfect knife, light, sharp and cheap with an elegant locking mechanism. The SAK was my multi-tool, until I decided the Leatherman was superior, and bought a few to carry on my bikes in place of, or in addition to the SAKs.
The Leatherman fell out of favor with me on a trip to Mexico. , trying tontravel light, the Leatherman was my only blade. I had lost not one but two fluid plugs due to the rough roads, and in each case turned to the Leatherman to whittle a plug. The knife got the job done, but only with difficulty. I resolved never to travel again without a good knife.
Around 1960, I took an interest in knives after seeing “West Side Story” on Broadway. I got a little gravity knife that looked like an Italian switchblade, and carried it for a couple of years. So I guess you could say it was Leonard Bernstein who got me into knives.
For the next ten years, I went without, until I realized if I was going to backpack around europe, I was going to need a knife to slice cheese and bread and sausage, and maybe to rig some guy lines for a tarp shelter. In Amsterdam I paid about six bucks for the Löwen Messer Hippekniep that I still have today.
Over the next few decades, I accumulated a bunch of Opinels and a bunch of SAKs to carry on my motorbikes, in supplementation of the tool kits. I never carried them on my person, because I didn’t want a hard lump of anything in my pockets in case I did the Flying W followed by a face plant on asphalt. Along the way, I also picked up the Tapio Wirkkala Puukko from the Brookstone catalog, the Vic Mauser-labeled GAK, again out of a catalog, and my first Anza, at a motorcycle swap meet. Charlie Davis was somewhere on the premises, but I bought the knife from his wife or girl friend who was manning his table.
Over this period, the Opinel was my idea of a perfect knife, light, sharp and cheap with an elegant locking mechanism. The SAK was my multi-tool, until I decided the Leatherman was superior, and bought a few to carry on my bikes in place of, or in addition to the SAKs.
The Leatherman fell out of favor with me on a trip to Mexico. , trying tontravel light, the Leatherman was my only blade. I had lost not one but two fluid plugs due to the rough roads, and in each case turned to the Leatherman to whittle a plug. The knife got the job done, but only with difficulty. I resolved never to travel again without a good knife.