Ok, heres the blade after some 220 grit paper. All flat and everything massaged out to more precise lines and shapes.
I clayed it
And then Iwent for the quench. I was playing the slow-n-low-heating game, pipe muffle in the forge and pumping the blade a lot, fighting the challenge of heavily dissimilar geometry between the bolster, forte, and tip areas. A magnet was in my hand at all times, and the lights by the forge turned off. And
boom, into the Parks 50 and agitating vertically.
Much of the clay broke off in the quench, and the rest was crumbled off by hand with my oil towel.
I took it over to the bench and did a quick scrub with 220 paper on both sides, then a quick dip into ferric to get an idea of what had happened.
The line ended up a little lower than Id planned. It does cover the entire edge, and is adequately wide for duty. There are a couple spots where its hard to see exactly whats going on with the habuchi.
Im a little conflicted about it.
On one hand, Id have liked it to be higher.
On the other hand, every hamon quench is a surprise, and some that I almost redid but ended up polishing have turned out quite well indeed. Warpage was minimal if any here, especially with the edge at about .030 going in. For a blade type such as this, a lower line is traditional and appropriate, given that the blade will need to withstand substantial shock in use.
Also, from what I can see, the activity looks promising.
So, I put it in the oven at 425. When Im done tempering, Ill sand it completely clean, maybe even up to 400, and have another check etch to make sure its a keeper. As long as the tip is fully hardened (hard to see) Ill keep it.
What do you guys think?