Thank you all for the many fine compliments. The credit really goes to Vance. I forgot to mention that Mel Pardue contributed a bit of expertise with the snakewood too. I actually provided the snakewood. It's one of the most patterned pieces I've ever seen. One of the challenges of decorating a knife handle is that it is, by its nature, long and thin. Since a bailsong's handle is further split in two, it's even thinner. But, this piece of snakewood, which has shades of brown, gold, red, and black in it, really cried out that it wanted to be on a balisong. I think Vance did an outstanding job on it.
I'm not normally a big Tanto fan. They always look sort of chunky and clumsy to me. But, I like the way Allen Elishewitz stylized the Tanto for this knife. It really has a look of -- well -- a look "energy" to me. It looks like it ought to be in motion, like it could be in motion.
Anyway, that's my response to the ugly argument. The balisong opens new opportunities for style. This, I think, is why a lot of balisongs end up looking sort of weird, because people try to treat them like other types of knives. It's like painting racing stripes and flames on a big luxury car. It doesn't work. The balisong, especially the way they move, present a lot of opportunities for design. To try and apply ideas from other knives to them is just missing those opportunities.
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Chuck
Balisongs -- because it don't mean a thing if it ain't got that swing!
http://www.balisongcollector.com