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Here is a portion of an article from the J.R. Edmondson website, one of the foremost experts on the bowie knife.
An investigative two-part article by Edmondson appeared in successive issues (January & February, 1993) of Knife World magazine. Reading almost like a Stephen King thriller, the article is totally riveting and assumes edge-of-your-chair "Twilight Zone" characteristics with nearly cinematic, Hitchcock-like overtones. Titled "The Brass-Backed Bowie," it discusses the extraordinarily shaped and massive Bowie knife owned by California artist, blade collector and fellow Bowie historian Joseph Musso. The weapon is pictured in the article with the studio prop knife used in the Alan Ladd film, "The Iron Mistress" (based on the book by Paul Wellman). Though the handsome prop knife is unusually large, Musso's brass-backed Bowie is even larger: the blade itself is almost 14 inches long, making the weapon effectively a small sword - which is precisely how Bowie's knife is described in some accounts.
The Knife World article offers if not "absolute proof" then certainly some very convincing evidence that Musso's knife was made ca.1830, possibly by James Black in Washington, Arkansas. The initials JB appear on part of the quillon. While the letters could represent the maker's initials, some feel that the knife may have been made for and owned by Bowie. Conjecture may be fruitless but it's still fascinating.
Though we'll never know for certain if Musso's weapon is literally a Bowie knife, there are those who share a common view about it - a common feeling. Rather singular and historically almost unique of shape, positively frightening of configuration and monstrous in its size, there's an undefinable mood about it which is almost disturbing, as though it has some hidden story to tell, if only it could speak. Inanimate, the weapon has no life of its own - but it seems to have a very distinctive and almost palpable presence. This cannot be explained. It can only be felt - and it can be sensed even in its photographs.