Dave and Andrea Lisch's PreFunk is intrinsic to the overall value of the Seattle show. Without it, the show would be much diminished, in my opinion.
Andrea and Dave put a lot into their component of the knife show, and it costs them financially as well as in terms of energy expenditure.
With that in mind, I'd suggest raising the ViP rates, limiting the number of ViP passes to a population that fits comfortably in the workshop, allowing only ViP pass holders access to the PreFunk, and sharing some of the additional pass proceeds with the Lisch folk to offset their financial costs. At some points, there really were too many people at the PreFunk, which makes it slightly less comfortable, and many times more dangerous. That speaks to the success of the event itself, and points to the importance of rethinking the management of it in terms of maximizing the quality of the experience for everyone. That's just my two cents, for what they're worth.
There was some kind of forging competition going on here, with Jason Knight MCing. I don't really know much about the details, so hopefully someone will add them for us. On the right in the brown shirt is Salem Straub, and in the green vest is Chuck Richards.
It's funny; you can see the photographer for the Seattle online news taking pictures in a lot of my pictures, and a lot of her pics online were from the same vantage points as mine. That's how you can tell a professional photographer- I've gotten to know Studio 4 over many years and it's taken me awhile to find the best spots to take photos from, but she found them right off the bat! Oh, and her pictures are FAR superior.
Here is a view of both halves of the work space. The half I'm in is the hand forging, grinding and finishing area. The other half has the hydraulic hammers, heavy machinery and steel layout tables.
An overhead view of the metals shop. Kikuo Matsuda is preparing for a grinding demo, (which has to been seen to be believed) while Daniel O'Malley prepares to do a sharpening demo. Bill Burke is at the forge and anvil, building a tomahawk which you will seen later.
Bill Burke, getting his hammer on, while Mark and Angela (?) Knapp look on.
I was trying to get a pic of O'Malley through a cracked pane of glass, but everyone moved and suddenly Jason Knight got captured! It'll be a theme; Knight photobombs abound. Geoff Keyes, (beard and hat) is in the background.
Kikuo here is working his magic. His grinding method left many a knife maker scratching their heads. He glues sandpaper to a fairly thin wheel, and grinds only from one direction. Since he grinds 'blind' more or less, you could say he does it by feel and could probably do it with his eyes closed. His grinds are often complicated, multi faceted, ones and his accuracy is very impressive.
Speaking of working magic, O'Malley can be seen here, summoning forth the spirits while his accolytes look on...
Actually, he's just sharpening knives, but the resulting edge is quite magical
