One of the best tests of cutting efficiency I know is to double a 1/2" sisal rope and hold the loop in one hand, place a blade in the loop with the other hand and pull-cut through the loop. The combination of cutting against the hard fibers of the rope with no room to "saw", together with the tendency of the rope to bind the knife as the loop tightens on the walls of the cut, makes this a very difficult maneuver to complete with one stroke. I test every new "high-performance" blade I obtain this way.
The best blade I have ever had at this is a Basic 5 on which I slightly thinned out the convex side of the asymmetrical grind with a low-tension (somewhat slack) belt. The small bit of edge that was ground away by the belt left the flat side of the edge bevel at almost "zero" off the primary straight grind, with just a micro-bevel remaining on that side. The resulting edge has almost no drag on the flat side and a smoothed, shallow convex bevel on the other which blends into the primary grind on that side with almost no shoulder. I can pull-cut through 1/2" sisal with this blade, using one easy, no-strain stroke every time, and do that over and over and over without re-sharpening. When I do re-sharpen, it's by simply drawing the edge a few times across a ceramic rod with edge trailing, as the original instructions from Busse show to do for the asymmetrical grind.
I've had one knife that was equal to this Basic 5 at that maneuver, a dendritic cobalt blade on a modified chef's knife by David Boye with .005" edge thickness. Impressive cutting with the Boye, but that blade could not begin to stand up to the impact punishment and torquing this Basic 5 will take in stride.
In 2003, while emailing with Jerry on the subject of what "sharp" means to different people and in different contexts, I lamented the discontinuation of the asymmetrical edge. I don't think he'll mind my sharing his response, as follows:
"I really appreciate your views on my asymmetrical edge as well. The general public has turned, what I consider to be a major advancement, into an unwanted orphan of sorts. The problem that I didn't forsee was having to overturn everything that folks knew about resharpening. Those that followed the simple directions have been thrilled with it, but the majority of Busse buyers just went at that edge like it was a regular one and they have been fairly disappointed. Bummer. I am now being forced to go back to a regular symmetric edge in order to quiet the natives."