^^Lots of questions come to mind, in viewing the pics.
The ink shown on the bevels now, is it the original application of the Sharpie? If so, it seems as if some areas have only been minimally worked, with just slight ink removal near the edge. This may touch on what I'd mentioned earlier, about just a few light passes taking ink off, without really doing much significant grinding. If so, I'd bet the edge hasn't yet been fully apexed along it's full length; therefore the absence of a burr. In establishing a new edge, I'd expect to see new bevels that are somewhat wider and uniform along the full length of the edge.
Also, I'm curious as to what the edge & bevels look like with all the ink removed (as it existed before applying the Sharpie). I'm wondering if the ink may be hiding some things about the original bevels or grind, like a thick edge grind or uneven grind, or a rounding off of the bevels and/or edge (might indicate inconsistent hold of angle on the Sharpmaker and/or other stones used).
In the immediate near-term, I think I'd go back to using ONLY the diamond rods on the SM, and set some new, crisp and uniformly wide bevels with only those. Create the burr there, and don't progress to anything else until there is a burr, and the edge is cutting like a crisp edge with a burr (meaning, it should cut easily through paper, perhaps with some snagging due to burrs present on the apex).
David
That's not ink, it's just the lighting.
I found it confusing that the Lansky at 17 degrees was producing such a wide bevel, but it may be that that is what I will wind up with (or even wider if I profile with the 30 degree setting on the Sharpmaker).