If it were a simple matter of the guy just drawing out the knives, but he's using an application that takes photos and converts them to wire frame--he didn't draw anything, he cropped the knives out of pics, inputted, and got the resulting pictures we see in that album.
Cantador more than likely did not mean any harm--his naivete is in how he's only recently begun adding the maker's name or mark, juvenile, but symptomatic.
The problem lies, however, in the open access to that index and the fact he replicated those patterns without the makers' (plural) permission(s).
Furthermore, Ryan just stumbled onto the account by accident--But who else has as well?
I'm sure some of the other makers have noticed the alarming rate of middle eastern and chinese knockoffs being sold through fleabay, some of us in knife related groups on FaceBook have seen a rush of pakistani damascus makers who've joined said groups, and then in a month selling clones of Jerry Hossom's blades, or matsuda Kikos, need I go on?
The danger of that album is the fact that the wireframe sketches he supplies are perfect for downloading and converting to something like, oh, water-jet. Frankly speaking, the album puts branded designs in the public domain where individuals can copy and go as they please unaware they're committing intellectual theft since they are led to believe that the work is just something thrown up on the web.
Every term I have to teach our new instructors or first time e-teachers the university's policies on "best practices for using digital media" which is a fancy way of saying, "here's what you can or cannot use from what you find on the web." James Terrio, I believe, was bitten in the ass several months ago when a corp called to say he'd been using their image and owed them for the copyrighted image, serving him a stout bill and a cease and desist.
If you've made it and sold it, it's your copyrighted pattern and image--you have an active according for the original product, and therefore own any replication without immediate and full disclosure is considered copying for ill intent--And that the grossly under-worded description.
Cantador more than likely did not mean any harm--his naivete is in how he's only recently begun adding the maker's name or mark, juvenile, but symptomatic.
The problem lies, however, in the open access to that index and the fact he replicated those patterns without the makers' (plural) permission(s).
Furthermore, Ryan just stumbled onto the account by accident--But who else has as well?
I'm sure some of the other makers have noticed the alarming rate of middle eastern and chinese knockoffs being sold through fleabay, some of us in knife related groups on FaceBook have seen a rush of pakistani damascus makers who've joined said groups, and then in a month selling clones of Jerry Hossom's blades, or matsuda Kikos, need I go on?
The danger of that album is the fact that the wireframe sketches he supplies are perfect for downloading and converting to something like, oh, water-jet. Frankly speaking, the album puts branded designs in the public domain where individuals can copy and go as they please unaware they're committing intellectual theft since they are led to believe that the work is just something thrown up on the web.
Every term I have to teach our new instructors or first time e-teachers the university's policies on "best practices for using digital media" which is a fancy way of saying, "here's what you can or cannot use from what you find on the web." James Terrio, I believe, was bitten in the ass several months ago when a corp called to say he'd been using their image and owed them for the copyrighted image, serving him a stout bill and a cease and desist.
If you've made it and sold it, it's your copyrighted pattern and image--you have an active according for the original product, and therefore own any replication without immediate and full disclosure is considered copying for ill intent--And that the grossly under-worded description.