- Joined
- Mar 13, 2002
- Messages
- 2,125
Guys I had a real nice double guard bowie boot knife from Ed maybe 15 years ago and it was nice. I ended up selling it which I regreted at the time but I needed the money. My point is as a maker one needs to experiment sometimes with and try different styles as Moran did with a jambiya/Arab style piece to keep things fresh. Ed's knives and style never really evolved it has stayed stagnant since I bought my first Fowler knife back in the mid 1990s. I still collect custom knives but I also collect antique tribal African,arab/Indo Persian knives to keep me out of the collecting rut. Change is good sometimes.
Welcome to the forums, Louie. I cannot speak for Ed, but I think it boils down to his philosophy.. He's stated before to me that he makes every single knife for himself. So, you might extrapolate that he doesn't really invest his energies suiting demands of a certain clientele. Especially the knife community, where collectors are frequently dictating every aspect to the maker.
It's a way to operate, find a style that suits and stick with it.
Even if you take Bill Moran's example, his knives are easy to spot. Very distinct style he created, especially the Persian Mediterranean inspired.. but, in essence it isn't about the variation, it's about the substance. I would disagree that Ed's work ever became "stagnant"- even if it appears that way to you. It never did, and still isn't the "same" knife. Just an observation..
Would love to see a photo of your old Bowie, or hear about it more.
Thanks,
David