- Joined
- Sep 27, 2004
- Messages
- 3,041
I am working on this hamon....its a wild one with a ton of subtle detaisl i am trying to capture. My problem is that the amount of etches required to bring out the fine details in the spine end up over-etching the main transition line, causing the almost crystalline grain structure in that area to acutally develop topograpy. How do I capture fine details without etching too much in other areas. I have no idea how to selectively etch without it looking like crap.
Here I am right now:
I want more of a mirror/2000 grit finish, with frosty lines showing ALL the details. The second i touch this with simichrome, even with a paper towel, it washes out the fine details around the spine, and I end up with a more polished spine where I can only see the details in weird lighting.....
I know there are many threads on this, but the normal etch I am used to is just not cutting it....
Do i need to do a full japanese polish with stones alone?
Here I am right now:
I want more of a mirror/2000 grit finish, with frosty lines showing ALL the details. The second i touch this with simichrome, even with a paper towel, it washes out the fine details around the spine, and I end up with a more polished spine where I can only see the details in weird lighting.....
I know there are many threads on this, but the normal etch I am used to is just not cutting it....
Do i need to do a full japanese polish with stones alone?