Making the sheat of the ringed damascus fighter

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Mar 26, 2004
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Some pictures of the sheath making process :)
I still haven't finished it, so it will be more!


Drawing the contour to cut the leather.

clydetzsheath1_big.jpg



Cutting the leather.

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Punching the holes for the belt loop.

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Cutting the leather for the belt loop.

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Backside already cutted and punched for the belt.

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Glueing other layer of leather for extra thickness.

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Drawing the shape of the blade for the front side of the sheath on paper to pass it later into leather.

clydetzsheath8_big.jpg



Presenting the paper mold into the leather to cut the blank.

clydetzsheath9_big.jpg
 
Front side of the sheath already cutted and presented over the backside.

clydetzsheath10_big.jpg



Drawing the exact contour of the blade on the leather to protect the stitches.

clydetzsheath11_big.jpg



Glueing the protective parts.

img]http://www.aescustomknives.com.ar/images/clydetzsheath12_big.jpg[/img]

clydetzsheath13_big.jpg



Simil blade drawing on the front side for an anaconda skin insert.

clydetzsheath14_big.jpg



Cutting the leather for the anaconda skin insert.

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Removed piece.

clydetzsheath16_big.jpg



Placing the anaconda skin insert into place.

clydetzsheath17_big.jpg


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Marking the holes for the stitching.

clydetzsheath19_big.jpg
 
Making the holes for the stitching.

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Stitching the anaconda skin to the leather.

clydetzsheath21_big.jpg



Anaconda skin stitched to the leather.

clydetzsheath22_big.jpg



Regards,


Ariel
 
More pictures.... :)


Adding another layer of leather to reinforce the sheath and protect the stitching for the Anaconda skin.

clydetzsheath23_big.jpg



Glueing the front part.

clydetzsheath24_big.jpg



Smoothing the contour of the sheath using a belt sander.

clydetzsheath25_big.jpg



Marking exact parallel lines to the contour for a proper and even stitching.

clydetzsheath26_big.jpg



Making the holes for the stitching.

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Drilling the holes for the stitching.

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Paper stencil for a metallic point.

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Paper stencil glued to the metal for an exact match.

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Metallic point ready to be drilled for future stitching to the sheath.

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Drilling the holes on the metallic point for the stitching.

clydetzsheath32_big.jpg



Metallic point, already drilled and etched in acid.

clydetzsheath33_big.jpg




Regards,


Ariel
 
Something happened at the Argentina NIC, as it affected many local domains. It should be OK now :)

Ok, I finished it... :)


Taking the metallic point out of the electrolitic coppering process jar.

clydetzsheath34_big.jpg



Coppered metallic point ready to be stitched to the sheath.

clydetzsheath35_big.jpg




Dyeing the leather. I first dye the sheath with a brown base and then I use an aerograph to dye the borders and the back.

clydetzsheath36_big.jpg



Almost finished sheath, already dyed and with the metallic point stitched.

clydetzsheath37_big.jpg
 
Wow, i am amased that all that knowledge is available in one man, it must have taken years to gather all that information and put it togheter to make something that looks right without having to make 20 prototypes.

Great work on the steel and the skin.
 
big sheath for a big knife!
you whip these things out so fast Ariel.... do you sleep? :D

great job, I like the anaconda insert, and the coppered tip rocks. :cool:

Steve
 
Super job!!! I am liking that my friend!! ;)
 
After looking at this thread again, I'm so happy that I left the choice of sheath in your hands! :D I couldn't have come close to imagining a sheath such as this. Then you even come up with a presentaion display box... YIKES! :eek:
 
Painstaking craftmanship. Ariel, you are a true artist. Thank you for sharing this fascinating process.
Bill
 
Very nicely done tutorial. and the pictures explain a lot. a couple questions if you dont mind? What grit sanding belt do you use on the edges? and what size drill bit and speed to drill the holes?
 
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