At the AKI, most knives have set prices in the catalog. I knew this, but since this year was my first AKI, I didn't realize that bid-ups and open bidding occurred there. They are pretty much the same thing, but the bid-up just establishes the base.
I don't think a maker can succeed with open bidding unless he or she has reached the very pinnacle of success - but at such a point, the maker dictates the rules of play if he or she so wishes.
There's a 14" slim folder on page 52 of Darom's "Great Collections" by Jurgen Steinau that is very similar to one that sold at open bid for $20,000 Saturday, though this year's was 12" long with less colored bakelite and less intricate inlay.
In Jurgen's case, he had three knives. One had an opener of $6500 with bid-up, not sure what it went for. There was another at a fixed price of $9500 - the one mentioned in my earlier thread. And the third was this slim folder that went for $20,000.
So Jurgen's way of handling his AKI knives allowed him to capture the upside on two out of his three knives, while the fixed price knife (at $9500) yielded one lucky SOB (me) a similar upside, when selling it.
What's wrong with this? Nothing. But show me a maker who can get open bidding on all knives? Never seen one who could. It's usually the collector who gets all of the upside, with the maker getting none - so I see nothing wrong at all with the practice.
I think the AKI is a great example of how both fixed price and open bid pricing can work side by side. But if a maker can get open bidding on all his knives, go for it.
EDIT: I really couldn't tell precisely what had been said in the thread opener, so I took the thread starter off of my ignore list long enough so I could respond, sure glad I did.