There is NO SENSE in bringing up the personal issues as per my dead horse comment, and Fatbat made the point as to why. I also acknowledged the makers whose pieces are desired by more than just the knife crowd for historical reasons- my point is that the other "living legends" like Chris Reeves have huge fanbases that still don't get as rabid for their knives.
Maybe it's because at one point the bar was set high and no one is willing to sell at a loss, so regardless of supply/demand, the prices will always be that high.
Look at some of the CRK special graphics- the Tanked for example- that don't demand anywhere near the price of a plain old SNG or SMF even when the seller discloses the fact there are mechanical issues.
It's just weird that people were willing to shell out as much as they did to begin with for the knives, but the resale value is almost at the point where it could be looked at as a legitimate "investment". There is no reason in the world why they got priced the way they did, and even less reason considering the nonsense we AREN'T going to discuss that their value seems to keep rising.
All I am pointing out is that there is something unique about the Strider crowd, and their willingness to shell out what they do, that isn't on par with any other living bladesmith.
There are just a lot of weird things when you look at this as a hobby- another great example is the huge number of Ferrum Forge collaborations with Drop that get listed on the auction sites. It seems like if they sold 1000 falcons, there have been 5000 auctions for them despite the fact no one really is complaining that the Ferrum Forge Drop collaborations have any major flaws.
Just a very weird financial landscape for those who buy and sell a lot of knives beyond what they are actually going to use as the tools they are intended to be.