- Joined
- Sep 9, 2003
- Messages
- 2,361
"hand warm", now it makes better sense. I couldn't find any warnings prohibiting room temperatures in any of my data sheets or other literature, but the term "hand warm" does appear. Often, it is recommended that the best place to store the part is in the "basket" until tempering. With complex shapes a steel like O1 that is not martempered could suffer some awful problems by radical cooling. My only concern with it is that I have hyoung guys in the shop that hade been only colling to perhaps 50% martensite and then going straight to the temper, to each his own, but the martensite has to form sometime and tempering austenite can be fairly counter productive
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With the salts, it is easy, about the time the stuff goes solid on the blade, and it is time to quit messing with it, since enough martensite has set to make any more straightening efforts difficult or disastrous. Rarely have I found much distortion after that (occasionally some odd pieces will have some stored issues that will cause it to move then or in the temper), often the distortion is present after the quench to Ms or it will show itself at around 50% martensite; in which case it is guided along in my loving hands
. It gives one a real feeling of hand crafting to guide each blade through its birth with your own two hands
. It is one way to keep something as trying a sword straight. They like are children, in that I may end up putting them across my knee to insure they behave themselves
.

With the salts, it is easy, about the time the stuff goes solid on the blade, and it is time to quit messing with it, since enough martensite has set to make any more straightening efforts difficult or disastrous. Rarely have I found much distortion after that (occasionally some odd pieces will have some stored issues that will cause it to move then or in the temper), often the distortion is present after the quench to Ms or it will show itself at around 50% martensite; in which case it is guided along in my loving hands


