Kind of a Persian fighter build, final pictures, for now

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Mark, your work in progress threads are a pleasure to read. You capture the melding of master craftsmanship, artistic vision, and practical ingenuity that a knife of this quality demands perfectly. Thank you for allowing us outsiders a unique look into your process. You are a true artist and craftsman.
-Ivan
 
Thanks everyone for the nice comments. Right now we are waiting for the custom mokume to make the guard and butt cap with.

Stay tuned
 
OK, the mokume for the guard is in. Mokume Gane is a Japanese metal art form, literally translated the words mean "wood-grain metal". I get quite a few requests for it on the knives I build. Some makers and collectors stay away from it because it will tarnish. This piece was custom made for me to this size by the folks at Jantz Supply, that is to say they had it made for me.

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This is three color, twist mokume. It's made with brass, copper and nickle silver. First job, cut it off to length and square up the ends.

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I want to make a piercing through the middle of the piece for a few reasons, to add interest to the piece, I want to forge the piece to shape because the texture in the mokume will look very nice if it flows with the shape of the piece. I bought the piece smaller than needed so I could forge it to shape, the piercing helps with that. This would have been a $600.00 piece of mokume if I had bought it to size and milled the center pocket out. I would have had a lot of wasted material from the piercing and the narrowed quillions. Forging to shape saves all that waste. We need to make a slot all the way through the piece, just as if I was going to make the slot for the tang. This material is 3/4 inches by one inch. The best way to make sure the ends of the slot line up exactly when you mill from both sides is to drill holes through the piece at the ends of the slot. The center drill is used to make the hole right on location, and keep it straight.

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With the slot all the way through, I built a couple of drifts to make the slot into a diamond shaped hole, like drifting a tomahawk head for the handle. Pictured is the first drift.

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The first drift is O1 and it needs to be hardened. I don't want to heat up the forge for just one tool at a time so I get a bunch of stuff ready and harden them all at once.

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With the drift hardened, I start the hole with the first drift. The mokume can be cold-forged, it will work-harden and need to be annealed so you have to be careful, it will crack if worked too much without annealing.

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The second drift was easier to make, it didn't need to be very long so I ground it out of some high speed steel. It picks up where the first drift finished.

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I use the power hammer and home-made fullering dies to fuller the piece on either side of the piercing.

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Next I will make a spring swedge to smoosh the piercing tight around the second drift to better refine its shape and to begin to shape the outside of the guard. The shape of the guard is transferred to the pieces for the die.

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The band saw is used to cut out the shape.

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With the drift in the piercing you get an idea what I am after. Next the dies will be welded to a spring to hold them in alignment when I pound them together with the power hammer.

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The spring swedge is ready to go....

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and the power hammer does what it does.

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The shape is pretty close to what we are looking for.

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With a plastic pattern, I transfer the shape to the mokume. The band saw is used to remove most of the extra material and the belt sander gets the rest.

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The profile of the guard is pretty close. Next we will cut the slot for the tang, fit the guard to the blade and fit the rest of the handle pieces to tang and the guard.
 
Hello, Mark.

The method of lamination for the abalone is quite clever, and looks to be attractive, had never seen blue amber before, it is quite lovely.

My good friend Phil Baldwin at Shining Wave Metals makes a copper/sterling mokume that I feel would have been a better material for this project, please keep it in mind for the future.

As others, I am subscribed to this WIP, it is truly fascinating.

Best Regards,

STeven Garsson
 
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Thanks STeven, that copper/sterling mokume sounds very intriguing. Can you give me his contact info?


Hello, Mark.

The method of lamination for the abalone is quite clever, and looks to be attractive, had never need blue amber before, it is quite lovely.

My good friend Phil Baldwin at Shining Wave Metals makes a copper/sterling mokume that I feel would have been a better material for this project, please keep it in mind for the future.

As others, I am subscribed to this WIP, it is truly fascinating.

Best Regards,

STeven Garsson
 
I have a very respectful question. Is the mokume going to be too much? It's an element rich design as is, and I was just wondering. Please don't take this question the wrong way.
 
I have a very respectful question. Is the mokume going to be too much? It's an element rich design as is, and I was just wondering. Please don't take this question the wrong way.

I think the abalone and the blue amber will balance out well with it. Those things are all up to personal taste. No offense taken.
 
Mark I have been following this thread with great interest.Not only am I impressed at how you are able to so expertly craft and fit the elements of Terry's rather complex design, I am also impressed with the various tooling elements you have had to make to pull this off!!Well done my friend, well done:thumbup::thumbup:!!
 
I think I'm most impressed with your toolmaking skills and methods.

Crazy skillz. :thumbup:

Coop
 
OK, the handle sections are assembled and cleaned up. I'm pretty happy with them. they are all roughly 1 1/8 X 1 3/8 with varying lengths depending on how they are going to be used on the knives. They all have a center hole that is roughly 3/16 X 1/2 or 5/8th.

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Thanks for looking, next, we get the rest of the handle materials ready and rough grind the blade.

F****** amazing. WOW :thumbup:
 
Mark, your work in progress threads are a pleasure to read. You capture the melding of master craftsmanship, artistic vision, and practical ingenuity that a knife of this quality demands perfectly. Thank you for allowing us outsiders a unique look into your process. You are a true artist and craftsman.
-Ivan

Thanks for finding the right words that I couldn't :thumbup:
 
I have a very respectful question. Is the mokume going to be too much? It's an element rich design as is, and I was just wondering. Please don't take this question the wrong way.

Hi David Thanks for your input. This is a custom made knife that I designed for my self. Elements were picked by me and Mark is making it to my specs. His workmen ship is the best . I couldn't be more happy with it. If he were making a spec knife he might be making it with different elements and design . But his hands are tied. Customer is always right . Terry Ha Ha MARK cant thank you enough.
 
Hi David Thanks for your input. This is a custom made knife that I designed for my self. Elements were picked by me and Mark is making it to my specs. His workmen ship is the best . I couldn't be more happy with it. If he were making a spec knife he might be making it with different elements and design . But his hands are tied. Customer is always right . Terry Ha Ha MARK cant thank you enough.

Well, that's not necessarily true, I am the maker, I have the final say. :D:D
 
Thank you for not taking my question the wrong way. I am really looking forward to seeing the finished product, I know it will be amazing. I just had to ask that question once it popped into my head though.
 
Excellent work and very informative WIP!
I am waiting to see how you fit on the guard and shape the handle to match.
 
OK, with the guard roughly shaped it's time to fit it to the tang at the base of the ricasso.


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First, we make sure the sides of the guard are flat and parallel, then using the reciprocating drum sander we sand the contour of the guard to make sure it is perpendicular to the sides.

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Next, we find the center of the guard and cut a flat shelf into the face of the guard for the base of the ricasso to sit flat on. This shelf has to be the same length as the width of the blade at the ricasso and the same width as the thickness of the blade at the ricasso. The shelf also has to be centered in the guard from top to bottom so that the guard is correctly positioned on the blade.

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I'm using a 1/8 inch carbide end mill. Carbide really helps cut down on tool flex, I get a much more accurate cut than I can get with high speed steel.

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With the shelf on the face of the guard and a slot for the tang all the way through the back, I hand file the last couple of thousandths away to make sure the fit is tight.

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The base of the ricasso is tight against the shelf in the face of the guard.

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Next, with the assembly resting on the working drawing I can see that the top quillion of the guard is angled too far back toward the handle. I need to remove some material from the base of the ricasso at the spine of the blade to bring the guard into proper location on the blade.

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A little material is removed and the guard is set in place. It's a snug, friction fit.

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Slots for the tang are cut into the blue amber spacers using the Bridgeport mill. The abalone pieces already have the slots.

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And the whole handle assembly is ready for the first test fit onto the guard and tang. The joint between the guard and the first amber spacer will take some finish fitting with needle files and sand paper. I back-light the joint to check for gaps, file and sand until the light disappears.

Stay tuned, next we make nickle silver liners that go between the amber and abalone pieces.
 
well, I am loving this thread. You are doing a great job at making what the customer wants. I am impressed by the cold forging of the mokume, too. Not that you can cold forge it, we all know that. I am impressed at how WELL you cold forged it. When I cold forge things, I have never thought to drastically move the material around. I guess I have to expand my horizons on what is possible.

thanks.
kc
 
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