fitzo
Gold Member
- Joined
- Aug 14, 2001
- Messages
- 6,648
Now that is nice, Fox! While I like an etched finish, I LOVE it when I see the transition brought out that dramatically via polishing.
Part of why I raised the question about the 'differences" is that to me the hamon is a very unique art form with cultural antecedents that tend to get lost in our westenized vernacular and practice. It goes way beyond "clay-coating" for them. The fact that they have an entire vocabulary regarding the form tells me they have an appreciation of it much like the differentiation of the many forms of precipitated water the northern NA native culture or Lapps have which most lump together as "snow". The shape of the line, the little subtleties of coloration, are beyond my knowledge but I know there are those who devote themselves entirely to just those aspects.
I do not say this to denigrate what we call "hamon". I just wonder what a Japanese master would say regarding our somewhat looser use of their word???
Part of why I raised the question about the 'differences" is that to me the hamon is a very unique art form with cultural antecedents that tend to get lost in our westenized vernacular and practice. It goes way beyond "clay-coating" for them. The fact that they have an entire vocabulary regarding the form tells me they have an appreciation of it much like the differentiation of the many forms of precipitated water the northern NA native culture or Lapps have which most lump together as "snow". The shape of the line, the little subtleties of coloration, are beyond my knowledge but I know there are those who devote themselves entirely to just those aspects.
I do not say this to denigrate what we call "hamon". I just wonder what a Japanese master would say regarding our somewhat looser use of their word???