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Darn it! Now you've made me think! In all seriousness, that's an interesting viewpoint. But, as we succeeded in our revolution, I'd say we could claim all pre-freedom ideas as American.One question arises though: When was the American axe actually invented? Was that during the colonial years (most likely?) or was it after the declaration of independance? Because if it was during the colonial years, that would actually mean that it was a european axe model since America wasn't a country back then?
Everything was brought here and melded with tremendous immigrant cognitive diversity. And we had the resources we needed a million times over to evolve axe patterns for our woods with unprecedented access to steel happening simultaneously.
I do not recall seeing full wedge pattern axe with tiny eye and thick walls. Is it possible it was created around the idea of standardized full size eye (teardrop).Thank you Sir!!!!
IF(!) i'd been a responsible creature i'd start making a chart,a few orderly columns with weight and any dimensions available for as many originals as possible...
Here's them lines representing a full,true wedge,as drawn on top:
https://imgur.com/ANsyQhg
That'd probably loose a few ounces...But what troubles me more than the weight is that Convergence angle of the forged blade(before bevels are ground for sharpening).
What were the average values for that?
(in essence it shapes the chip-breaker action...)
I do not recall seeing full wedge pattern axe with tiny eye and thick walls. Is it possible it was created around the idea of standardized full size eye?
Here's an exploded vintage axe if you want to see how they were made.
I wish you luck, some int'resting stuff 'mungst the chaff.I hope the above is not too specious and long-winded...I agree fully that conjecture in general is an unnecessary and counterproductive concept here,and apologise for any and all part of it that i thoughtlessly introduce...Will do my best to try to stick to concrete things that stem from metal alone.
Thank you for this valuable info,FortyTwoBlades,it adds to our slowly emerging picture...
(i find it a bit disheartening,as it's an aspect that i can't very easily duplicate,lacking any reduction ability of the right sort....(the name of the game here is cahones...or hp,to be more scientific.....as per Square_peg's wise suggestion i'll get a hold of a decent 9" angle-grinder,it'll be a pale shadow of a real grindstone but will allow for experiments).
Just rough it in with an angle grinder, and if you want to produce a finish similar to what would have been historical, you could use a hand-rubbed finish with a coarse soft Arkansas stone using only fore-aft motions, or the contact wheel on a two-wheel belt grinder with appropriate belt selection.
or sand?I do use flux,just plain Borax out of a box,just never troubled to learn and get comfortable fluxless(it's not that hard).
I'll try to be orderly here:
All my welding(and forging) anymore is done strictly with spruce charcoal.
(the little propane forge in the background is a friend's,and is for his,and some students' use only).
I look back at my propane-forge years with loathing...it was a sweat-shop hell of my own making...
Charcoal is a specific beast,and i'm learning about it constantly,both making and using it.
One specific about it(or my tree species,White spruce) is that it's very hard to reach very high temperatures...So burning is an issue mostly with higher-Carbon material.
(in tool-making in general it's always handy if the mild or WI covers the bit material entirely during welding,and i often make use of this device).
The main panacea for welding is maximal Excess of Carbon.It prevents burning,as well as scaling(thus contamination of surfaces to be welded).
I heap it on,and constantly maintain a high ratio of fuel to oxygen(with the hand-crank blower it's`easy,and it's all i use except for the rarest occasions).
I do use flux,just plain Borax out of a box,just never troubled to learn and get comfortable fluxless(it's not that hard).
Multiple-component welding is not any harder,( maybe even easier,more mass,stays hot nicely).But care must be taken to close all welds forthwith,as they'd oxidise remaining open during multiple heats.
The biggest problem with welding is to not break the freshly made welds.That is the real challenge,and it involves your capacity to retain control of the work(tongs),as well as striking control,so both hands,all senses,all you have is engaged...
(vibration,bouncing,rattling,are all very destructive).
Color i'd have a hard time with calling...Maybe shooting for bright-yellow(and achieving it sometimes?),but working in middle yellows,trying to return the fresh weld back into the fire by lower-,darker-yellow...
It's an odd thing about welding that i witnessed a number of times:After Much frustration(years),one good session with a right person just Gets you there...And then you're Good,forevermore,on your own...(a wonderful old guy by name of Dick Underwood did this for me...no new information or nothing,just said grab this,hit it now,and the magic happened...).
And then you just keep getting better on your own,it just starts happening itself...
I forge-weld a Lot,but i periodically can't stick things together to save my life(mystery.....),and i do Plenty of lousy or at least questionable welds...Sometimes they're not on the surface,et c.,but it's a fact(i've poor work habits/discipline).
Forge-welding is very heavily dependent on strategy of application.Two main points-use it in Shear;and maximise the contact area.This is consistent with historical use,many poor-looking,or even opening,welds,but the tool stays together/does it's intended job till worn clear out.....
It's an odd thing about welding that i witnessed a number of times:After Much frustration(years),one good session with a right person just Gets you there...And then you're Good,forevermore,on your own...(a wonderful old guy by name of Dick Underwood did this for me...no new information or nothing,just said grab this,hit it now,and the magic happened...).
Forge-welding is very heavily dependent on strategy of application.Two main points-use it in Shear;and maximise the contact area.This is consistent with historical use,many poor-looking,or even opening,welds,but the tool stays together/does it's intended job till worn clear out....
Sadly, in the past few years I've lost both of my local mentors, Grant Sarver (Off Center Products), the man who without question has made more pairs of blacksmith tongs than any man on the planet, and Larry Langdon (Monster Metals, Quick & Dirty Tools), who was close by, a good friend and a master of everything. They say that every time a blacksmith dies a library is lost. If that's true then Grant was the Library of Congress. Larry was his protege.
and Larry Langdon (Monster Metals, Quick & Dirty Tools), who was close by, a good friend and a master of everything.