The cool factor

Forging has only three true advantages over stock reduction.

1. Stock reduction by grinding does waste material. But how much are we talking here, thirty percent by weight ?

2. You can turn a 6 inch bar of material into a 12 inch bar of material. Or a 1000 ft of wire if you really like hammering :)

3. Hammering is more fun than grinding, it is cooler :D
 
Forging has only three true advantages over stock reduction.

1. Stock reduction by grinding does waste material. But how much are we talking here, thirty percent by weight ?

2. You can turn a 6 inch bar of material into a 12 inch bar of material. Or a 1000 ft of wire if you really like hammering :)

3. Hammering is more fun than grinding, it is cooler :D

I'll concede to the first 2...

yes beatin the hell outta steel is fun, and a great way t relieve some stress..

.....but as far as cooler, everytime I get infront of a forge it's hot as hell;)
 
I find bladefarming much more mysterious than stock reduction or bladesmithing... :)

... and I'm not going to apologize for my opinion. :D

Apologize A Master smith that would never happen......

If you guys where really "Masters of the hammer" then there should be no reason to even own a grinder right.:D


Spencer
 
Apologize A Master smith that would never happen......

If you guys where really "Masters of the hammer" then there should be no reason to even own a grinder right.:D


Spencer


I don't own a grinder I own a variable speed, variable grit, electric file. :D
 
In all fairness,... the scientific types are the true witchdoctors of our time... :D

I say cool!

I don't want to be the guy accused of demystifying science... Heaven forbid that should ever happen!
 
It might be a good time for some romantic smithing poetry and "culture" here.


"The Lusty Young Smith"
words and music traditional

A lusty young smith at his vice stood a-filing.
His hammer laid by but his forge still aglow.
When to him a buxom young damsel came smiling,
And asked if to work in her forge he would go.

Rum, rum, rum. Rum, rum, rum.
In and out. In and out. Ho!
"I will," said the smith, and they went off together,
Along to the young damsel's forge they did go.
They stripped to go to it, 'twas hot work and hot weather.
They kindled a fire and she soon made him blow.

Her husband, she said, no good work could afford her.
His strength and his tools were worn out long ago.
The smith said "Well mine are in very good order,
And I am now ready my skill for to show."

Red hot grew his iron, as both did desire,
And he was too wise not to strike while 'twas so.
Said she, "What I get I get out of the fire,
So prithee, strike home and redouble the blow."

Six times did his iron, by vigorous heating,
Grow soft in her forge in a minute or so,
But as often was hardened, still beating and beating,
But the more it was softened, it hardened more slow.

When the smith rose to go, quoth the dame full of sorrow:
"Oh, what would I give could my husband do so.
Good lad with your hammer come hither tomorrow,
But pray could you use it once more ere you go!"
 
i work all carbon steels, some more or less "basic". I do a certain amount of recovery and recycling. Many of the steels I work need a trip to the forge before I even start with a grinder or file. Some of them go into the forge part way through for a bit of tweaaking on overall shape, all of them go through normalizing and get heat treated here. And if you want romance I still haven't bought a big kiln :D (I don't call it romance, I call it a pain in the arse)

I don't know if it's possible or profitable to really try and talk about the soul (either the maker's or the knives'). I can say I don't use patterns, I go ery much on feel for the blade shapes and I think I can make a knife with whatever cool factor by my stock removal methods.

Of course, if I ever find a good anvil, a few more sets of tongs, and a half dozen more hammers, I may change my working style!
 
"The Village Blacksmith"
-Longfellow

Under a spreading chestnut-tree
The village smithy stands;
The smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.

His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can,
And looks the whole world in the face,
For he owes not any man.

Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.

And children coming home from school
Look in at the open door;
They love to see the flaming forge,
And bear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing-floor.

He goes on Sunday to the church,
And sits among his boys;
He hears the parson pray and preach,
He hears his daughter's voice,
Singing in the village choir,
And it makes his heart rejoice.

It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his haul, rough hand he wipes
A tear out of his eyes.

Toiling,--rejoicing,--sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close
Something attempted, something done,
Has earned a night's repose.

Thanks, thanks to thee, my worthy friend,
For the lesson thou hast taught!
Thus at the flaming forge of life
Our fortunes must be wrought;
Thus on its sounding anvil shaped
Each burning deed and thought.
 
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