Yes . . . I totally agree with that statement.
It also demonstrates why the final edge should NOT be stropped. Leave it the heck alone and just use it off the stone.
I can see where you are going with the round the edge off the apex thing but
Would you be so kind as to correct the drawing ?
And for a specific I can see where the convex is better for carving. Running on the convex carvers can vary their cut depth and have fine control. I understand that wood carvers strop the heck out of their edges and on the rough side of the strop no less.
But
I am thinking more along the lines of push cutting across the grain as if say . . . cutting a pencil cross wise in half.
As far as free handing and Japanese blade culture an interesting bit of information that knife people may not know but every Japanese hand tool Shokunin does without thinking :
- The blades are bimetal. The hard steel is one thin layer on top of a thicker iron backing.
- The Japanese craftsmen use no secondary bevels
- They use no rounding
- They sharpen one wide bevel much like the theory of a Scandi knife.
- The bevel is flat
- They never strop
- The edges are considered to be the best in the world
How do they do it you may ask ?
By feel you can easily tell when you are lifting the iron off the stone. When the iron is down on the stone there is a certain drag. As it comes off the stone there is a slick sensation which instantly makes you want to get that bevel back down flat on the stone.
An interesting side note, and some argue this to be untrue is that the iron from 100 years ago or so has contaminates in it which helps to actually abrade and clean the sharpening stone which the modern more pure iron does not.
Anyway that there is how we get a freehand flat bevel.
As I have said before "It's not the easy way (or fast way) but it's the cowboy way".
Here is Toshio Odate putting his back into a full width bevel just like he was shown by his master. It is a huge bevel but the majority of it is the soft iron acting as a jig, as it were, for guiding the thin hard steel.
This is a page from his book by the way. I use secondary bevels once in a while but don't tell him.
And finally since you mentioned stropping here is one of my non agreeable, or is it disagreeable illustrations. Note it is the best case scenario for stopping, no convex and no small bevel and we still have geometry destroying destruction to that wonderful edge.
Yuck, I can't watch . . .
For a hard strop on the finished side of the leather that is an exaggeration but the majority of woodworkers they use the store bought carver's strop, rough side up, on a plane blade or joinery chisel.
Not good.
As far as knives . . . when I make a ten degree per side angle or a fifteen, you know, for cutting cars in half and stuff. I don't want mister strop coming along and messing with that angle and turning it into, oh I don't know, twenty or thirty degrees per side after a a few misguided sessions on the strop to "touch up the edge" which never really works all that great anyway compared with just sharpening the dang edge with a couple of stones at my desired angle.
PS: those Japanese blades are on the order of 64 hardness . . .how many here can say that about our little girly man pocket knives ?