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I do not think the choice Les proposes is meaningless or random (now edited out from above). Hypothetical - Yes. There is no doubt what my choice would be.
Cliff Wrote : I think it is obvious that you can in general get a better knife by going custom than production, but just because a knife is custom does not imply a higher standard of quality than production, some are, some are not. It just means one guy did it - that is all. Now if you include qualifications like a Master Smith, then yes that obviously implies very high quality standards.
(So as Para pointed out, we are not that opposed in this thread
)
I agree strongly with Para, I know some of the guys at CRK and there are a couple that would be excellent makers on their own (there is one who I am considering placing an order with if he is willing), but superior might be a little strong. (My suspicions are that that the excellence may not carry on down the "line" every day in a production environment.
There are two knives being made for me now that illustrate the point. Both of these will be knives first, but one of them happens to be an art knife. The two people working on these pieces go in their shops when they feel like working on them; they are both "special ordered" and push the makers a little further than they were. I would rather have the knife a little later than have the maker working on them when their mind might be on something else going on. (Both happen to be Mastersmith stamp test daggers.) One is a 15 bar composite damascus. I know that the maker welded and cut around 12 billets for the blade and that "he got lucky and was satisfied" on the 4th billet that he forged and ground, I trust this guy, If he is "satisfied" I am going to be blown away
. I am in no hurry to get either of them one has been put off for a year and it does not bother me at all. I trust the maker and that trust has been earned, by his abilities, recognition from his peers and contributions to the field.
Part of the enjoyment for me is knowing that they are enjoying making these knives, that atmosphere has to be nourished by both of you. You get phone calls while they are working on your knife, you are presented options that you did not think about when you first ordered the knife. In some cases you get the chance to scrounge up some special materials or get down to the nitty gritty of how that guard or ferrule will be made. If I have a knife embellished, I stay out of it other than materials. I definitely am not an artist.
Make mine from the maker who cares and has the ability, experience and desire to excell and grow in all aspects of knifemaking, from steel, to forging when applicable, to edge geometry, to heat treating, to handle making, to embellisment, to testing and I will not be able to find a factory knife out there that would come close to making me pick it in Les' hypothetical question.
At the same time, there are times when I have chosen to support a younger maker who is striving to achieve that level of excellence. Typically, but not exclusively, I find these makers are ABS members, Guild Members (Canadian, Australian, South African or US)(give me a break here I am pretty week in the European area, but I will get better
, PKCA members or combinations of the above and they are putting a lot of time and energy into those organizations as well as knife making in general.
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" The real art of living is to keep alive the longing in human beings to become greater versions of themselves." Laurens Van der Post in memory of James Mattis
[This message has been edited by Gus Kalanzis (edited 05-01-2001).]
Cliff Wrote : I think it is obvious that you can in general get a better knife by going custom than production, but just because a knife is custom does not imply a higher standard of quality than production, some are, some are not. It just means one guy did it - that is all. Now if you include qualifications like a Master Smith, then yes that obviously implies very high quality standards.
(So as Para pointed out, we are not that opposed in this thread
I agree strongly with Para, I know some of the guys at CRK and there are a couple that would be excellent makers on their own (there is one who I am considering placing an order with if he is willing), but superior might be a little strong. (My suspicions are that that the excellence may not carry on down the "line" every day in a production environment.
There are two knives being made for me now that illustrate the point. Both of these will be knives first, but one of them happens to be an art knife. The two people working on these pieces go in their shops when they feel like working on them; they are both "special ordered" and push the makers a little further than they were. I would rather have the knife a little later than have the maker working on them when their mind might be on something else going on. (Both happen to be Mastersmith stamp test daggers.) One is a 15 bar composite damascus. I know that the maker welded and cut around 12 billets for the blade and that "he got lucky and was satisfied" on the 4th billet that he forged and ground, I trust this guy, If he is "satisfied" I am going to be blown away
Part of the enjoyment for me is knowing that they are enjoying making these knives, that atmosphere has to be nourished by both of you. You get phone calls while they are working on your knife, you are presented options that you did not think about when you first ordered the knife. In some cases you get the chance to scrounge up some special materials or get down to the nitty gritty of how that guard or ferrule will be made. If I have a knife embellished, I stay out of it other than materials. I definitely am not an artist.
Make mine from the maker who cares and has the ability, experience and desire to excell and grow in all aspects of knifemaking, from steel, to forging when applicable, to edge geometry, to heat treating, to handle making, to embellisment, to testing and I will not be able to find a factory knife out there that would come close to making me pick it in Les' hypothetical question.
At the same time, there are times when I have chosen to support a younger maker who is striving to achieve that level of excellence. Typically, but not exclusively, I find these makers are ABS members, Guild Members (Canadian, Australian, South African or US)(give me a break here I am pretty week in the European area, but I will get better
------------------
" The real art of living is to keep alive the longing in human beings to become greater versions of themselves." Laurens Van der Post in memory of James Mattis
[This message has been edited by Gus Kalanzis (edited 05-01-2001).]