2013 AKI - A Quick Update

I am remiss in a BIG way. Somehow I overlooked Wolfe's classic folder which was a catalog image, finished in Sept, yet hidden away till now....

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It doesn't get any better!

Jim
 
It doesn't get any better!

Jim

It does. He had two daggers at the show, a small and a large. Don Guild got the large, he is a glutton for Wolfe's best work.

I have GREAT affection for Wolfe, he has a wicked sense of humor, a sharp mind, the intellect of a genius and the heart and eyes of an artist possessing inordinate talent.

There is a Wolfgang Loerchner Large Dagger in my dreams.....I just have to wait for the right time....and oh, yes...it will be mine.:D

Best Regards,

STeven Garsson
 
It does. He had two daggers at the show, a small and a large. Don Guild got the large, he is a glutton for Wolfe's best work.

I have GREAT affection for Wolfe, he has a wicked sense of humor, a sharp mind, the intellect of a genius and the heart and eyes of an artist possessing inordinate talent.

There is a Wolfgang Loerchner Large Dagger in my dreams.....I just have to wait for the right time....and oh, yes...it will be mine.:D

Best Regards,

STeven Garsson

Pictures or it didn't happen. ;) Anyone??
 
Here is the "Catalogue Knife" that Steve took to the AKI. A Masterpiece in my opinion.

"Karen's Sub-hilt"
A 7 1/2" Loveless-style, Sub-hilt Fighter, CPM-154 blade steel, T416 stainless lugged guard, sub-hilt and rear bolsters, mother of pearl handles, and 18K gold thong tube.
Featuring a unique "SR Johnson AKI 2013" logo on the spine, the high-polish, double-ground blade includes the "SR Johnson Manti Utah" logo on the obverse and reverse. This luxuriant piece is masterfully engraved by Barry Lee Hands in his "Renaissance Leaf Pattern" with black satin background. Details include inlays and overlays of assorted yellow, green and rose, 24K, 22K and 18K gold, encompassed by generous raised 24K gold borders.
The design showcases the "Gilded Pearl" technique - reverse-sculpted gold inlays in the mother of pearl - as only Mr. Hands can do, and is enhanced by more than fifty green and white diamonds and pink sapphires on the blade and handle fittings. Housed in a beautiful French-fit display case.

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off the hook!!!
 
Can't stand that particular dagger but that Johnson is absolutely incredible!
 
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Many of the knives were bidup/open bid only. Realistically this eliminates a good portion of the collectors in the room. There are many heavy hitters in that room and you need a pretty serious bank acct to compete.

A lot of those heavy hitters are purveyors. They have collectors/speculators that are waiting to buy a lot of these knives at the prices asked(final sale price, plus whatever profit they deem appropriate). A lot of those collector/investors are in Russia and China, so the knives leave the country never to be seen again.

Started doing the show 10 years ago, there has been a sea change where the purveyors are bolder, show less restraint and do exhibit wholesale avarice. It has negatively affected the atmosphere of the show, in my opinion. I have made money from these purveyors, and I have been and continue to be, a purveyor myself in certain circumstances. It isn't sour grapes. I'm not jealous of them, and I do wish them the best...however, I will not attend the AKI again.

I liked the atmosphere of the first three shows I went to, didn't like it in 2011, and made my decision then. Phil Lobred puts on a world class show, and it is truly the best of the best. I prefer the best of the middle, and I don't want to have to compete with people who see more of a dollar sign than they do the impeccable craftsmanship and soul that the makers put into these works of art.

To many of the purveyors, it's just product...highly sought after, highly profitable product.

Can't stand that particular dagger but that Johnson is absolutely incredible!

Hi Jon, I am not in love with the dagger either, but you have to admit, the craftsmanship is on another level.

I like the Johnson subhilt, and it is more of a Johnson-style subhilt than a Loveless-style. S.R. tends to put a nice and classic spin on the Loveless designs, rendering them as inspired by Loveless rather than Loveless-style. Barry Lee Hands does engraving that is superb, and I look forward to chatting with him at every show I see him at.

Best Regards,

STeven Garsson
 
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Interesting points. Although not every dealer came away with a trove. (Hmmmmm..... I have a box still unopened from one of the 'heavy hitter' attendees, and I'll see what comes out of it this week.)

Here's the ONE that did surface:

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Ken showed it in the other thread, and it is really precise!

Coop
 
Well, for anyone who is still interested, I have finally completed the second part of my report from AKI 2013, covering the makers i did not discuss in the first part. It can be found here.

I hope you enjoy it and/or find it informative.
 
I do want to add a few additional personal observations.

You do NOT have to be a so-called "heavy hitter" to enjoy this show or to walk away from the show with wonderful knives, depending upon your own personal taste. As a hitter, I do not crack the infamous "Mendoza Line." Yet I came away from the show with the only two knives that I really wanted . . . and I still brought back home more than half of the cash that I brought with me. There were many, MANY, outstanding knives to be had under $5000. And the VAST majority of the knives - I believe over 90% - were sold at fixed price though "luck of the draw."

Yes, if all you are interested in are knives from Steinau, Walker, Appleton, Lake, and/or Loerchner, then you better bring a big roll of Benjamins. But when is that ever NOT the case with their knives??? And EVERY one of these guys offered at least one fixed price knife, and you did not need to bid against a purveyor or anyone else to get those knives: you just needed to have your name drawn from the box.

And even if you did not win a knife, if you LOVE art knives then just having a chance to see and handle 150 or more top quality knives that you will probably never see again, in one place, makes the show worthwhile, IMO. And while you examine these knives, you can help yourself to all of the beer, wine, liquor, desserts, hour d'ouvres, fruit, cheese, salad, and carved meat that you could want.

I found the atmosphere in this show to be wonderful. Better than in 2011. My all-time favorite show. One "minor" change was the tacit acknowledgement in the ticket book that folks do indeed trade tickets, and even though it is stated that this is not "condoned," it was clear that it was also not discouraged. Indeed, one maker specifically encouraged me to obtain tickets from other invitees to "stuff the box" for one of his knives. It turned out that I "won" both of my knives on my own ticket anyway (just lucky this year, since both boxes had many tickets).

Last, I enjoyed the company of other knife lovers. And this includes the "dreaded" purveyors, the majority of which do indeed seem to me to have a passion for knives and do not view it all as just "product." Yes, there are exceptions. But so what? Am I supposed to let the attitudes of a couple of folks prevent me from enjoying a show with so many wonderful knives? I also met and had nice conversations with several other individual collectors who I did not know - some of which do not post here or rarely do so. And that is great, because I do not know ANYONE in my community, among my friends, my colleagues, my buisness associates, my family, etc. who shares my passion for knives.

I told Phil Lobred at the show how thankful I am that he created this event and that I am able to attend it. Again, I will continue to return to this show as long as it remains anything like it is now for as long as they will continue to let me do so and for as long as I have the health and finances to allow me to do so.
 
Thanks much for the reviews and perspective you've shared, Ken, both here and elsewhere online. Very much appreciated.

Bob
 
That is just not true. Not even close. Maybe 10% of the knives were bid up / open bid knives. The rest were all fixed price.

I just checked the price list. There were 18 open bid and/or bid up knives and 86 fixed price knives. Each maker was also entitled to bring one option knife, and none of these were shown priced.
 
Thanks much for the reviews and perspective you've shared, Ken, both here and elsewhere online. Very much appreciated.
^^^ This.

A lot of time was spent in writing and the trials to get it to us. Your heart shows us it was worth it. :D

Coop
 
Thanks much for the reviews and perspective you've shared, Ken, both here and elsewhere online. Very much appreciated.

Bob

You are welcome. Wish you had been able to be there.

I just checked the price list. There were 18 open bid and/or bid up knives and 86 fixed price knives. Each maker was also entitled to bring one option knife, and none of these were shown priced.

All of the option knives were fixed price pieces. I think maybe there were about eight (?) option knives. But unfortunately, one cannot just go by the price list, because not all of knives on the price list were actually at the show.

Which leads me to the only minor quibbles that I have. First, there were a few knives in the program/catalog that were not at the show. In at least one case, the maker brought a drawing of a knife that was not complete and offered for folks to drop on it. Also, there were a few makers who apparently could not complete even one knife in time for the printing of the program/catalog, so the program/catalog showed a picture of a knife from a past AKI. Again, not real big deals, but I hope that neither of these phenomena spread or become a trend.
 
FWIW, I updated my report this morning to include pictures of two of Julie's pieces, included her Ornate Left Handed Dagger - Main Gauche. Thanks to Bob Betzner and Curt Erickson for supplying these pictures.

I would be happy to update the report with pictures of any of the makers' knives if they supply them to me. I did reach out to a couple of the makers to try and get some pictures, but did not have any luck there.
 
Ken, It was good talking with you at the show. I appreciate you taking time to do the review of the show. I feel very honored to receive the Buster Award again this year. Buster was an inspiration to me as a new maker. I also want to thank Charles Vestal for posting the photos. C Gray Taylor
 
Ken, It was good talking with you at the show. I appreciate you taking time to do the review of the show. I feel very honored to receive the Buster Award again this year. Buster was an inspiration to me as a new maker. I also want to thank Charles Vestal for posting the photos. C Gray Taylor

It was my great pleasure and honor speaking with you, and having a chnace to see the unbelievable craftsmanship that you put into your knives.




Meanwhile, I have edited the posts with my AKI 2013 report over at CKCA to add some new pictures which were sent to me by martinr of some of the Bennica, Lake, Steinau and Walker knives from AKI 2013. Thanks again, Martin!
 
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