Art Knife Invitational '09 ~ images/impressions

I've often said among my circle of friends: 'entitlement' is the ugliest word in the English language. Here it is again, just in mention, stirring up the pot. Yuck.

Coop

Since you will be heavily involved with the Boston show.....do you think that Paul HAS to make the show catalogs available for sale to the general public, or better yet, does it make financial sense for him to do so? Is not the knife collecting community entitled to these items?

I'm going to let my good friend Phil know that my good friend Aaron has volunteered to handle the logistics and fulfillment for sale of excess AKI catalogs, gratis of course, so that no major disservice is perpetrated upon the knife collecting community.;)

Best Regards,

STeven Garsson
 
:rolleyes:

Phil is, of course, welcome to sell them (or not) as he likes. And of course I'm sure (almost) anyone here would appreciate the opportunity to simply look at a catalog--or even an omnibus of all of the past AKI catalogs (wouldn't that be a great publication?).

But personally I have trouble reconciling the notion of educating existing collectors and bringing in new ones with having a document of the premier art knife show be effectively unobtainium to anyone without the appropriate connections.

Then again, I've been told I'm something of a Communist when it comes to sharing information. ;)
 
:rolleyes:

But personally I have trouble reconciling the notion of educating existing collectors and bringing in new ones with having a document of the premier art knife show be effectively unobtainium to anyone without the appropriate connections.

Then again, I've been told I'm something of a Communist when it comes to sharing information. ;)

Aaron,

I'm not going to argue this with you....simply because I don't believe that you know what in the heck you are talking about....if you did, you certainly wouldn't be so cavalier about it....

It is NOT effectively unobtainium...you simply have to attend the show to get it, by and large....if that makes it unobtanium for you, let me know, and I'll send you a bus ticket and pay for your admission to the AKI in 2011.

Best Regards,

STeven Garsson
 
I don't know Phil Lobred very well other than what I have read about him, his being a CKCA member and our exchanging e-mails on occasion. However he seems like a very good and down-to-earth guy.

I don't believe he is necessarily trying to be restrictive or particularly exclusive with his show but rather being a savvy businessman in putting it on. Phil sends out invitations (not sure how many) and the first 175 buyers/bidders to send in their checks get a spot. At least that's what is communicated on his invitations.

I would assume that along with makers and guest/non-bidders the total number of attendees around (what STeven) 250 or so? Why limit the number to 250? Perhaps Phil feels that's a manageable number or perhaps venue size/cost has something to do with it. It's an outstanding venue, by what I'm told.

Seems like the knife prices start at $2,000 thought the majority are much more than that. I see Rick Eaton had a miniature for $1700. The invitee list probably has a lot to do with insuring the attendance of as many $2000-plus knife buyers as possible as the success of the show greatly depends on the quantity of knives sold.

I also doubt that Phil was intentionally being restrictive with his catalog as has been suggested. He probably just didn't realize there may be such an interest or market for it outside show attendees. Who knows, in the future perhaps he will offer the catalogs for sale post show. The increased quantity printed and income generated from sales would seem to reduce his cost in putting on the show.

I understand STeven and Phil are very good friends, so obviously he feels a personal interest in the show and wants Phil to be successful. That's what friends do, Right?

I know I'm going to try very hard to make it in two years.
 
Attending the AKI is probably something I will never have the opportunity to do either, but I WAS fortunate to see the post Mr. Johnson made offering his extras.

Thank you again Steve. I had zero expectations in procuring a copy, and I feel VERY fortunate to have one:D

Having pictures posted here is a pleasure too. That Warenski is simply incredible!

Hopefully some more pictures will show up:D

Peter
 
Since you will be heavily involved with the Boston show.....
I'll be involved as a photographer--before for catalog photos, and at the show. Beyond that, unless Paul needs me for advice or something else, I would not call myself heavily involved.

But, I would also stand by Paul as you are standing by Phil. They are BOTH dynamite people with great presence.

Do you think that Paul HAS to make the show catalogs available for sale to the general public, or better yet, does it make financial sense for him to do so? Is not the knife collecting community entitled to these items?
As you have stated, no. For the limited production of these catalogs and the upper-quality that Phil demands, I'll bet they cost well-upwards of $10 each. Hardly something to consider as a handout to anyone but attendees.

Thanks,

Coop

BTW, I spent some of the afternoon shooting that Warenski dagger (And a Fuegen dagger). I knew it looked familiar. Fortunately, I took a completely different set of perspectives and shots, and I hadn't even remembered Eric's good work. You could give this piece to five different photographers and each would have his way. :)
 
Just to be clear--it was never my intention to impugn Phil nor make light of the (obviously) hard work he does in putting together the AKI.

If I did so then I would like to publicly apologize.
 
I may be wrong but my understanding was that the knifemakers in the AKI are the ones footing the bill for the show, catalogs, catering, etc. That and the $175 to attend ought to cover the costs of printing some extra catalogs for people that want one and didn't attend. The logistics of distributing them can't be that difficult. Seriously, how many people actually want one?
Thank you Mr. Steve Johnson for my catalog.
 
In my opinion, discounting all of my posts about technical issues at the AKI about the drawings, I would still go, if invited, to every future event. A show of this caliber exists only because of the vision from and implementation by Phil Lobred (who I do not know).

It stands alone, a show like no other. We are a society of people who seek improvement in the slightest of details. That's one of our characteristics, I believe. So it's probably natural that we nitpick small details (I am definitely guilty of this, myself). Still, IT'S THE BEST.
 
I may be wrong but my understanding was that the knifemakers in the AKI are the ones footing the bill for the show, catalogs, catering, etc. That and the $175 to attend ought to cover the costs of printing some extra catalogs for people that want one and didn't attend. The logistics of distributing them can't be that difficult. Seriously, how many people actually want one?
Thank you Mr. Steve Johnson for my catalog.

Phil runs that show, and he has a day job, as well as Parkinson's Disease....his primary interest is in getting the show done....excess catalogs are available to makers should they request them....I'll ask him about making some available for sale in the future....and if Aaron doesn't want to head that up, I'll suggest you, Martin.:D

I'm not Phil's mouthpiece, nor do I want to be.....what I am is a very good friend of his who has frequent communication with him, and almost constant presence on BladeForums....he has sporadic attention to this Forum....and thinks we fight windmills.

Best Regards,

STeven Garsson
 
I'll bet you make a fine Sancho, Steven:thumbup:
 
Steve Hoel from the AKI 2009 catalog

The Classic Coke Bottle Model Featuring the all new “Gilded Pearl Technique” using 24k Gold inlaid into the exhibition grade white pearl by Master Engraver Barry Lee Hands.
Barry is the inventor of this new method and this is the first folding knife ever engraved with this technique, as well as the first collaboration by Steve and Barry.
The abundant ornamentation of the 24k Gold inlaid engraving complements Steve’s timeless design and features Arabesque leaves with slender stems originating in the frame of 416 stainless, flowing gently forward from the rear bolster through the pearl with pure gold leaves, and back into the stainless, culminating in a dramatic flourish of 24k Gold leaves at the front bolster, all surrounded by a generous 24k border.
The blade of ATS 34 has been precisely heat treated to 60 Rockwell.


hoelgildedpearlenh192max.jpg
 
Mr Hands, Incredible work sir! My wife is not really interested in knives for the most part, but loves the two knives that received your “Gilded Pearl Technique”, and I feel the same way..they're beautiful! I love the way the vines transition from the pearl to the bolster, totally seamless. Can't wait to see this technique on more knives in the future.
 
Hello Barry,

The two knives with your amazing engraving art,
the one above by Steve Hoel and the one by Steve R. Johnson,
were no doubt some of the major highlights of the 2009 AKI!!

Your daring engraving and gold inlays on Mother-of-Pearl handles
is something never before seen on modern custom knives.
I am really proud to be the owner of the first knife you engraved
and gold inlayed the bolsters and the MOP slabs (a "David's Fighter"
by Steve Johnson) and which you completed for me early in 2009.

All the best,
David Darom (ddd)
 
Thank you gentleman

Your daring engraving and gold inlays on Mother-of-Pearl handles
is something never before seen on modern custom knives.
David Darom (ddd)

Thank you David,
Your patronage on the original Darom Johnson "David's Fighter" was the inspiration for the entire genre.
As you know Mr Steve Lindsay introduced us and encouraged me to engrave on the pearl. This is how I remembered it a few months ago:


"I call this " Gilded Pearl Technique"
It is an original technique that I learned myself.
It is partly inspired by work I had seen in Japan where gold is combined with pearl and other things, but the style is mine, which I developed in my work in the gun and knife business in the USA.
You may know I was trained in the USA as an engraver in the 1970's and 1980's.
I have traveled to many places studying damascene and engraving including Japan, England, Italy, Egypt , China, Thailand, and Indonesia.
This technique is a combination of all I learned before, using special tools made solely for this purpose.
When I first imagined it I was in Japan staying at a traditional hotel:
http://www.ccn2.aitai.ne.jp/~akane/tanken.html
It was early in the morning, I was meditating in this little garden.
I had been studying the Damascene, and visiting a father and son who make and engrave Samurai swords.
There were all these different techniques floating around in my head.
White pearl kept popping into my mind, and the damascene doors from the Ali Hussein Mosque in Cairo, All these differing images were disturbing my meditations.
Suddenly the gold appeared in the pearl, and the tools, special tools, for guilding the pearl appeared before me like they were floating in the air, like a vision.
When I arrived home weeks later, I had forgotten all about it.
David Darom Called me and asked me if I would do the Knife, and that he would have it sent to me.
When it arrived a few days later, I opened the package.
It had the same white pearl I had imagined.
The hair stood up on the back of my neck as everything came back to me.
I made the tools and went to work."


As you can see, this " Gilded Pearl " technique would never have been developed if it had not been for your patronage Mr. Darom.
I thank you and wish you all the best.

Barry Lee Hands
 
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For you Barry and for you Steve my friends, here is the Title Page
of my new book with your "David's Fighter" # 2 of 2 in all its beauty.

All the best,
David Darom (ddd)

Picture-1.jpg
 
Thank you, David. What an honor!
FYI, to all viewers: Phil asks us all take to a bunch of catalogues home with us and suggests that we get them, "Out there," so that others might enjoy the photos and learn about the show. He WANTS people to know about the show and see the knives, as do the makers.
 
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