...we discussed the particulars and benefits of each choice, and then he made smart purchasing decisions.
Absolutely - two heads better than one. More importantly Coop, you got to see and handle many of the pieces chosen by the makers to represent their best work in the show catalog. You have made your own beautiful kit knives (I've seen them :thumbup

. You've photographed well over 5,000 knives, I bet, at least. And we're friends going on 8 years now. I respect your judgement in these matters, even if our preferred styles don't totally overlap. At the BAKC, while working with you in the studio, I bet we exchanged comments about most of the knives that came in for photography - as we have done at other shows where I've had the opportunity to work as your assistant. This all builds trust, in addition to respect.
In fact, readers of this may think I'm nuts but I actually bought Scott Slobodian's full-dress tanto,
WINTER, even though it was not at the show (Paul Shindler accidentaly left this one and one by another maker at his home) based on Coop's image of it - last shot in post #2 above - and his comments about it in response to my questions.
WINTER arrived yesterday, easily convincing me that my trust was well placed.
Can't say enough about the importance of developing, as a collector, good relationships with a couple or three other collectors who are more experienced than you and me, who aren't trying to sell us something and with whom there is a good personality fit. This happens naturally on these forums and at shows over time but it is also actively encouraged within the CKCA organization (where my friendships with Steven Garsson and Jon Klein developed) and/or through a common interest which is how I came to know Coop (aka 'SuperCoop').
All of this began to come into focus for me when some years ago I almost abandoned custom knife collecting and everybody associated with it because essentially I felt like I was alone. I don't make friends that easily so the fault was mine. Still, something was missing - healthy trusting friendships as described above.
Not to short the makers!! In fact, as I now recall, several makers were great at reaching out to me - Steve Schwarzer in particular helped me know the difference between makers who were genuine 'folks' from those who might put on a smile while eying my wallet. Relationships with a few good makers is also essential and my wife and I are fortunate in that way. As so many have said before me, the knives are great but it's relationships that keep us enthused about the game.
The secret is (not really a secret) - to have a friend you must first be a friend. We can't say to the fireplace, "Give me heat and I'll give you wood."
*I've mentioned two of the three pieces I brought home from Boston. The third is something I want to save for a separate post but here's a haiku clue:
Moon rises in the East
Shimmering light illuminates the way
His path and mine
Across centuries