- Joined
- Nov 14, 2001
- Messages
- 1,152
Ed, It was great to hear you forging again. I might not be the one to get it but I hope you're able to bring at least one Bentley to Atlanta this year...
<fingers crossed>
This set might not be worth $60,000 until someone pays it, but that doesn't mean that the quotes given in thread are accurate. I haven't made any calls but I can think of at least a handful of people that would probably consider them comical. There's nothing wrong with not caring for his work or disagreeing with his pricing compared to makers whose work you consider more valuable, but there's no denying that some people are willing to pay. Before I lose my head to the guillotine, I want to be clear that I'm not some rich guy who can't appreciate the hard work it takes to earn a dollar, I made my sports car decision long ago and am happy with the small collection of knives I have in it's stead.
Steve, too bad that you got blindsided like that but you're a tough guy and I know there's no hard feelings. You really can't blame a guy for hitting after the bell anyway, after you hit him with a low blow in the other thread...<not really>
I know how Hercules felt though, I wanted to defend Ed too but I guess he's capable of doing that for himself. You're right about Howard Clark! He's another guy that I would recommend saving your money for. Put your order in, be patient, and you won't be disappointed when your turn is up. And Phillip Baldwin is another wizard at the forge.
The sale price of a high end custom knife will usually have more to do with the ability of the maker to reproduce his vision than with it's ability to cut or the base materials used in it's construction. When asked how long it took to create a specific piece one of the all time greats responded that he'd been working on it for 20 years. Ed's been at it longer than that and whether his journey has been a wasteful luxury is open to debate. What characteristics do you look for when examing the horn on one of his knives, can you describe the different styles of guard he has used, what do you look for in the etch/geometry of each blade, can you close your eyes and appreciate the way one balances in your hand? I'm not sure if you ever considered buying that Reno bowie, or if it was just the price that made it stick in your mind, but I'm really glad it was more than you were willing to pay. Thanks, and no hard feelings. I hope you let me play with some of your Foggs some day, I promise I'll be gentle.

This set might not be worth $60,000 until someone pays it, but that doesn't mean that the quotes given in thread are accurate. I haven't made any calls but I can think of at least a handful of people that would probably consider them comical. There's nothing wrong with not caring for his work or disagreeing with his pricing compared to makers whose work you consider more valuable, but there's no denying that some people are willing to pay. Before I lose my head to the guillotine, I want to be clear that I'm not some rich guy who can't appreciate the hard work it takes to earn a dollar, I made my sports car decision long ago and am happy with the small collection of knives I have in it's stead.
Steve, too bad that you got blindsided like that but you're a tough guy and I know there's no hard feelings. You really can't blame a guy for hitting after the bell anyway, after you hit him with a low blow in the other thread...<not really>

The sale price of a high end custom knife will usually have more to do with the ability of the maker to reproduce his vision than with it's ability to cut or the base materials used in it's construction. When asked how long it took to create a specific piece one of the all time greats responded that he'd been working on it for 20 years. Ed's been at it longer than that and whether his journey has been a wasteful luxury is open to debate. What characteristics do you look for when examing the horn on one of his knives, can you describe the different styles of guard he has used, what do you look for in the etch/geometry of each blade, can you close your eyes and appreciate the way one balances in your hand? I'm not sure if you ever considered buying that Reno bowie, or if it was just the price that made it stick in your mind, but I'm really glad it was more than you were willing to pay. Thanks, and no hard feelings. I hope you let me play with some of your Foggs some day, I promise I'll be gentle.
