Guardians of The Lambsfoot!

For none-custom knives, Wright's filework is exceptional I think. That's a shame about the blade though.
I agree, the ironwood one that I have is worked with the Maltese cross pattern you illustrate with your second example with the wood handle and larger bolsters. To my eye, it is reminiscent of some of the work illustrated on page 82 in the little book by Tweedale on Stan Shaw, Master Cutler. I am not as picky about the blade centering as some, so was not put off by being a bit off to one side.

The Oakedge Barlow knives I have by Wright do have a different pattern workback, a bit simpler to execute with alternating small and large crescents. They were also quite a bit lower in cost, especially the one that was sold as second quality. They are both stag handled, and both have well centered blades (indeed I have to assume that the reason the second was culled was that the stag is rather plain). I am hoping to get a Lamb foot version with this workback pattern when the get some in stock.

My only other workback Lamb Foot by Wrights is one of the smaller versions in horn made some time ago which I found a while back as NOS in a shop in Maryland. This one was done quite deeply with a round file, to achieve a much cruder serpentine effect. My guess is that these were done either before John took over or when he had just started getting file work springs done.

I suppose I should find some kid to learn me to post photos at some point....
 
I agree, the ironwood one that I have is worked with the Maltese cross pattern you illustrate with your second example with the wood handle and larger bolsters. To my eye, it is reminiscent of some of the work illustrated on page 82 in the little book by Tweedale on Stan Shaw, Master Cutler. I am not as picky about the blade centering as some, so was not put off by being a bit off to one side.

The Oakedge Barlow knives I have by Wright do have a different pattern workback, a bit simpler to execute with alternating small and large crescents. They were also quite a bit lower in cost, especially the one that was sold as second quality. They are both stag handled, and both have well centered blades (indeed I have to assume that the reason the second was culled was that the stag is rather plain). I am hoping to get a Lamb foot version with this workback pattern when the get some in stock.

My only other workback Lamb Foot by Wrights is one of the smaller versions in horn made some time ago which I found a while back as NOS in a shop in Maryland. This one was done quite deeply with a round file, to achieve a much cruder serpentine effect. My guess is that these were done either before John took over or when he had just started getting file work springs done.

I suppose I should find some kid to learn me to post photos at some point....

I'm not sure how old that Maltese Cross pattern is, but it is very traditional in Sheffield. Stan uses it, and does it very well, and surprisingly quickly, but then he's been using it a long time :) He does it right round the butt of the blade, starting at the blade-well, along the spring, and then extends it onto the tang of the blade, and down the spine, so when the knife is open, it's hard to see the joint :thumbsup:

Stan Shaw SS Lambsfoot 2 -8S.JPG

Stan Shaw SS Lambsfoot 2 -9S.JPG

Stan Shaw SS Lambsfoot 2 -6S.JPG

Mr Bonzodog very kindly gifted me that second knife :)

AW Walnut WB Lambsfoot 2-8.JPG

Those Oakedge knives look to be excellent, and I don't know how they do the 'seconds' at the prices they do. I have had a few 'seconds' from Wright's, and the flaws have been very minor, and not mechanical. With a few of them it's hard to see why they are 'seconds'. Here are two 'seconds' with work-backs, both have imperfect covers, but were excellent bargains :thumbsup:

AW Ivory Senator 2-6.JPG

AW Snakewood Lambsfoot 1-4.JPG

This is the only example I have of their simpler pattern. I always forget about this knife, I think I've only carried it once :rolleyes:

A.Wright WB Horn Lambsfoot 1-1.JPG

I can also live with an off-centre blade, so long as it isn't touching the liners. Thankfully, they're becoming rare at Wright's, but on the higher-end knives I think they'd be good candidates for the 'seconds' pile.

There's lots of good advice about posting pics in the Tech forum, but I'm finding the direct upload available to paying members to be pretty satisfactory so far, and I think the paid membership is excellent value, even though I don't sell or trade in the trading forums :thumbsup:
 
I meant to quote the jam and cheese.
I had a brother in law who insisted on putting sharp cheddar on apple pie: not very far from jam and cheese.

I haven't had caws pobi in a while. Cheddar, Worcestershire, ground mustard on toast.
 
I meant to quote the jam and cheese.
I had a brother in law who insisted on putting sharp cheddar on apple pie: not very far from jam and cheese.

I haven't had caws pobi in a while. Cheddar, Worcestershire, ground mustard on toast.

I once had a cheese and apricot jam sandwich served to me in a Beirut cafe, and the traditional Lebanese breakfast was bread with cheese and honey at one time, which I've also had. In the first case, I'd specifically said I didn't want anything on the sandwich except cheese! :D

Mustard works quite well with cheese, brings out the flavour. I'm not a great mustard lover, but sometimes add a little to cheese sauces :thumbsup:
 
Jack Black Jack Black Good morning Guardians! I’m Lambless this weekend so I really appreciate that beautiful display of Lambsfoot knives! I’ll catch back up on Monday! :D
 
Had a lambsfoot scare this week, as I couldn’t find it anywhere I looked. Luckily the pants hadn’t made it into the wash yet... Will keep closer tabs today!
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That must have been a terrifying experience Mike, you would definitely not want that beauty going astray! :eek: I think you deserve some R 'n' R today my friend ;) :thumbsup:
 
I'm finding the direct upload available to paying members to be pretty satisfactory so far, and I think the paid membership is excellent value, even though I don't sell or trade in the trading forums
It would more tempting to post photos if I did not have many years of proof that my photography is at best rubbish! I agree that if I were to post photos, this would be the only way to go. Much better to have those who have some skill and proper equipment to post the photos.
 
It would more tempting to post photos if I did not have many years of proof that my photography is at best rubbish! I agree that if I were to post photos, this would be the only way to go. Much better to have those who have some skill and proper equipment to post the photos.

I'm sure you would do fine Bart :D :thumbsup:
 
What a feast of wonderful photography Chin :) That looks like a great trip, I wish we had more accessible woodland where I live. Nice work on that hot pepper sauce my friend, it looks delicious. I have roasted oysters in the half-shell with gruyere cheese and tabasco in the past :thumbsup:

Looks like an idyllic campsite, Chin!! And even though I just ate breakfast, that great looking Chili sauce is making me hungry all over again!!

Really enjoyed your post Chin :thumbsup:. Outstanding pictures, especially the kookaburra! What a cool looking bird. I had no idea they were big snake eaters, but I’d definitely welcome them around my camp :D.

Your Caribbean fresh pepper sauce looks awesome and the stag on your Lambsfoot has some great character. I’m a huge fan of hot sauces, salsas and spicy foods and I’d love to get the recipe from you when time allows :thumbsup:

Thanks for the kind words, my friends.:)

Jack and Charlie: yeah it's pretty great to have good camping spots within about an hours drive in any direction. I keep a pack ready to go with all the necessaries, so if I get the chance for an impromptu overnight camp, I can throw a few things in the car and head off at a moments notice.;)

Roasted oysters with gruyere and tabasco, Jack? You're making me hungry!:thumbsup::cool::)

Stonebeard, kookaburras have a great personality. They're the largest bird of the kingfisher family. They're one of the main reasons why, if you do see snakes in the Australian bush, they're going hell-for-leather from one hiding place to the next. Kookaburras like to hang out on high branches and swoop down on snakes, lizards and tourists' bacon sandwiches :D, and their laughing call is one of the iconic sounds of the Australian bush.

Hey, I didn't know you were a chilli-head! I don't tend to cook by measure that much, but I'd be glad to share that fresh, hot peppersauce recipe, my friend. I've sent you the recipe via PM. It's a good one, I think you'll like it!;):thumbsup:

bonzodog bonzodog , @flatblackcapo , and Cambertree Cambertree , I have an embarrassing case of edge envy, gentlemen!! :rolleyes::thumbsup::thumbsup::cool:
Chin

Ha ha, thanks GT. Yeah, that stag lefty A. Wright, which Charlie graciously gifted me, has the most 'sticky sharp' feeling edge of all my Lambsfoot knives. I thinned out the edge considerably on that one, with a succession of waterstones, then put a very minimal Sharpmaker edge apex on, at 15 dps for strength, finishing with a few light passes with the ultrafine rods in the 20 dps setting, and a light strop.

Putting a really acute edge grind on these A. Wrights can sometimes reveal a bit of unevenness, I've noticed myself and observed from some other Guardian's comments and pics in this thread. Now my preferred sharpening method from scratch, on these knives is to just do the whole process on the Sharpmaker, starting with the diamond rods at the 15 degree setting. I find the smaller contact area of the rods compared to a benchstone, produces a more even looking edge bevel, and is quite sharp enough, also being easy to resharpen. I sharpened my ebony Wright and Guardians edition knife in this way.

Great discussion on filework. I find I like looking at filework on other peoples knives, and it gives some interesting 'tells' about the maker. But it's not so often I see filework that seems to have that real unified flow to it. That's the kind of filework I'd like on a knife of my own. For a user, I'm afraid I'd be thinking of grit particles resting in those recesses too.:rolleyes:

I like the filework on the knife bonzodog gave you, Jack - almost runic looking. It's also very interesting to see Stan's filing - quite consistent, yet still with a nice, progressively hand rendered look. I suppose in the old days a Little Mester could look at a fileworked back and tell whose work it was, out of dozens of other Little Mesters. Jack, do I remember aright in once hearing that Little Mesters have their own signature sequences of filework motifs?

It's a long weekend for Labour day here in Victoria, I had my Guardians knife out with me on Sunday, when I walked past this old stable door in a country town:
M5cF8SA.jpg
 
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Great discussion on filework. I find I like looking at filework on other peoples knives, and it gives some interesting 'tells' about the maker. But it's not so often I see filework that has seems to have that real unified flow to it. That's the kind of filework I'd like on a knife of my own. For a user, I'm afraid I'd be thinking of grit particles resting in those recesses too.:rolleyes:

I like the filework on the knife bonzodog gave you, Jack - almost runic looking. It's also very interesting to see Stan's filing - quite consistent, yet still with a nice, progressively hand rendered look. I suppose in the old days a Little Mester could look at a fileworked back and tell whose work it was, out of dozens of other Little Mesters. Jack, do I remember aright in once hearing that Little Mesters have their own signature sequences of filework motifs?

It's a long weekend for Labour day here in Victoria, I had my Guardians knife out with me on Sunday, when I walked past this old stable door in a country town:
M5cF8SA.jpg

I'm the same Chin, it's nice to see once in a while, but I can take or leave it on a knife to carry, particularly on a working pattern like a Lambsfoot. Did you see Stan doing any filework mate, he is very quick at it? His signature pattern looks quite mesmerising on knives with multiple springs, like his Hallamshire Knife for example. I think those Maltese Crosses were around a long time before Stan though - despite what he thinks! ;) :D :thumbsup:

Stan Shaw Knives.(18) jpg.jpg

That is a really nice composition Chin, really works well, and shows your Guardians knife off to perfection :thumbsup:

Hope you have a great Labour Day my friend :thumbsup:

1922.jpg
 
I'm the same Chin, it's nice to see once in a while, but I can take or leave it on a knife to carry, particularly on a working pattern like a Lambsfoot. Did you see Stan doing any filework mate, he is very quick at it? His signature pattern looks quite mesmerising on knives with multiple springs, like his Hallamshire Knife for example. I think those Maltese Crosses were around a long time before Stan though - despite what he thinks! ;) :D :thumbsup:

View attachment 866496

That is a really nice composition Chin, really works well, and shows your Guardians knife off to perfection :thumbsup:

Hope you have a great Labour Day my friend :thumbsup:

View attachment 866497

Thanks very much mate, I appreciate the compliment - sometimes you see a cool background and just get lucky.;):)

Yes, I was actually thinking of Stan's filework on that four or five backspring thick, sportsman's knife he was finishing when we visited, but I didn't bring it up, not being a Lambsfoot 'n' all.:thumbsup: I think a lot of the filework I've liked has also been by French cutlers.:cool::thumbsup:

I think Stan was bedding in the action of his current workpiece knife, by dry fitting and working it with emery compound in the joints, to lap the pivot and bearing surfaces smooth, when we arrived. He quickly set up some brass liner scales in his vice to demonstrate how he coined the liners, in response to one of our questions. I don't recollect if Stan demonstrated fileworking the backspring to us, but the concerted impact of a seeing a stack of his worked backsprings in a knife was extremely impressive.:cool::thumbsup:

Nice Sheffield historical flyer there, mate, thanks for posting it.:thumbsup::cool::)

BQwxgNg.jpg
 
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Thanks very much mate, I appreciate the compliment - sometimes you see a cool background and just get lucky.;):)

Yes, I was actually thinking of Stan's filework on that four or five backspring thick, sportsman's knife he was finishing when we visited, but I didn't bring it up, not being a Lambsfoot 'n' all.:thumbsup: I think a lot of the filework I've liked has also been by French cutlers.:cool::thumbsup:

I think Stan was bedding in the action of his current workpiece knfe knife, by dry fitting and working it with emery compound in the joints, to lap the pivot and bearing surfaces smooth, when we arrived. He quickly set up some brass liner scales in his vice to demonstrate how he coined the liners, in response to one of our questions. I don't recollect if Stan demonstrated fileworking the backspring to us, but the concerted impact of a seeing a stack of his worked backsprings in a knife was extremely impressive.:cool::thumbsup:

Nice Sheffield historical flyer there, mate, thanks for posting it.:thumbsup::cool::)

BQwxgNg.jpg

The big knife was the one Stan was making for his granddaughter's 18th birthday - which I think is still a way off :) Always good to see your ebony Chin, I think I enjoy using mine most of all, just wish it had the A.Wright tang stamp. I have it with me again today - I need to look out for some new backgrounds myself, apologies for the recycled pic :rolleyes: ;) :thumbsup:

AW Ebony Lambsfoot 2-3.jpg
 
I picked up this contemporary TEW Ecconomy Lambsfoot inexpensively at the weekend. I bought it simply as an item of interest. Their Chinese-made kitchen knives aside, it probably represents an absolute low-point for this once-proud company, but we'll see...:(

TEW Ecconomy Lambsfoot 1.JPG

TEW Ecconomy Lambsfoot 2.JPG
 
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