Will Power
Gold Member
- Joined
- Jan 18, 2007
- Messages
- 33,363
The review is significant and for the long-term health of the US cutlery industry, it's important to tell it how it is.
Those flaws would annoy me alright, one wants to have pride in ownership not resignation to an inferor product that doesn't just cost change either.
My Forum 2010 knife pleases me immensely, I'm very taken with it and have a lot of pride in owning it. A very small gap in the liners but no issues here which offend me. It's well ground, monster snap and super finish on the handles. And, there aren't too many around
Bliss!
I have to admit I had my apprehensions before getting it though, based on a rather miserable litany of errors from some Queen and particularly Schatt knives. I have 6 Schatt knives and only the Series I Barehead Trapper from 1991... is up to standard. The Premier English Jack has a lot of blade wobble, ditto the 2007 Horticultural knife-I mean a lot, the 2005 Half Whittler looks nice but the spring is so crude and raised in open that it's unpleasant to hold, The 2008 Large Jack has similar spring issues(which I tried to correct and damaged the knife)plus considerable wobble. Actually, no other production knives have these rates of flaws, I won't buy another. As for Queen itself, my Amber Bone Teardop,Muskrat and Serp Jack are SUPERB knives,beautifully executed a joy to see and use. A BEM Teardrop was utter rubbish: nail nick so low you can barely open it, blade edge chipped,shield had glue stains around it, blade play and a rough raised spring. A Zebrawood Teardrop which i gaveaway also had a raised spring,very rough. Finally, I recently got a QCCC Teardrop in Green Bone which I had been after for ages_ had to wait even longer as the seller first of all sent me an English Jack by mistake that was badly gap ridden and blade play. When the Teardrop arrived, I was impressed by the dimensions and blade shape BUT this too has far too many gaps, very very poorly matching scales and worst of all, while mounting the shield somedody had slipped and gouged a smooth section of the jigging clean off! OK it's a user but it was a brand new knife that looked shabby. Moreover, it's supposed to be from a line of knives that Queen sells as superior, that it aint:grumpy:
When Flymopn returned his knife he should have been given a replacement or a proper re-fit. When he was not pleased with the response-who would've been??-he should have got a Moose and the other knife that were inspected REALLY CAREFULLY by Queen so that no errors would be there. That crack by the pin isnt going to get better I'm sure... They slipped up again it seems and this sends out a depressing and distresing message to those of us that admire and like Queen Cutlery. I really suspect it is not shoddy workmanship or incompetent management, I fear their equipment and machine tools are so old,worn and unreliable that they cannot sustain quality at a consistent and acceptable level. I truly hope I am wrong and that my experiences have been extreme, because they can sometimes make a stunningly beautiful knife with authetic tradition behind it. That's what it's all about isn't it?
Those flaws would annoy me alright, one wants to have pride in ownership not resignation to an inferor product that doesn't just cost change either.
My Forum 2010 knife pleases me immensely, I'm very taken with it and have a lot of pride in owning it. A very small gap in the liners but no issues here which offend me. It's well ground, monster snap and super finish on the handles. And, there aren't too many around

I have to admit I had my apprehensions before getting it though, based on a rather miserable litany of errors from some Queen and particularly Schatt knives. I have 6 Schatt knives and only the Series I Barehead Trapper from 1991... is up to standard. The Premier English Jack has a lot of blade wobble, ditto the 2007 Horticultural knife-I mean a lot, the 2005 Half Whittler looks nice but the spring is so crude and raised in open that it's unpleasant to hold, The 2008 Large Jack has similar spring issues(which I tried to correct and damaged the knife)plus considerable wobble. Actually, no other production knives have these rates of flaws, I won't buy another. As for Queen itself, my Amber Bone Teardop,Muskrat and Serp Jack are SUPERB knives,beautifully executed a joy to see and use. A BEM Teardrop was utter rubbish: nail nick so low you can barely open it, blade edge chipped,shield had glue stains around it, blade play and a rough raised spring. A Zebrawood Teardrop which i gaveaway also had a raised spring,very rough. Finally, I recently got a QCCC Teardrop in Green Bone which I had been after for ages_ had to wait even longer as the seller first of all sent me an English Jack by mistake that was badly gap ridden and blade play. When the Teardrop arrived, I was impressed by the dimensions and blade shape BUT this too has far too many gaps, very very poorly matching scales and worst of all, while mounting the shield somedody had slipped and gouged a smooth section of the jigging clean off! OK it's a user but it was a brand new knife that looked shabby. Moreover, it's supposed to be from a line of knives that Queen sells as superior, that it aint:grumpy:
When Flymopn returned his knife he should have been given a replacement or a proper re-fit. When he was not pleased with the response-who would've been??-he should have got a Moose and the other knife that were inspected REALLY CAREFULLY by Queen so that no errors would be there. That crack by the pin isnt going to get better I'm sure... They slipped up again it seems and this sends out a depressing and distresing message to those of us that admire and like Queen Cutlery. I really suspect it is not shoddy workmanship or incompetent management, I fear their equipment and machine tools are so old,worn and unreliable that they cannot sustain quality at a consistent and acceptable level. I truly hope I am wrong and that my experiences have been extreme, because they can sometimes make a stunningly beautiful knife with authetic tradition behind it. That's what it's all about isn't it?