largely because a lot of folks either remember what stainless steels were like 30 years ago or they were raised by folks who do -- and it wasn't pretty.
there are some excellent stainless steels out there today and with some steels the line between carbon and stainless is getting pretty hard to define.
Yup.
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Rant added.
I'd also add that makers obviously want to buy cheap sell high, so if they can talk up a cheap steel with what if they often will. There's more profit in it. This usually when the horror tales of broken knives kick in.
Then there's that stainless is often harder to work with. If you've a stainless that is gummy to work you'll get through more belts making it more expensive for you to produce it. On the other hand a steel like 01 is notoriously forgiving for any that want to try the home brew heat treatment. It's loved 'cos it's hard for the amateur to louse up whilst also being a decent steel. For the little bloke aiming to pump out cheap users at low cost it makes sense to try to keep a buzz going round simple carbons with whatever you can claw at.
Appeal to nostalgia and working knives as art. Whether something is an art form is usually a contentious issue. I think many a bloke has sat apparently contemplating their navel while they try to define art, so I'll not add to that here. Suffice to say at the high end I believe knives are often art forms. In fact some of them are often more art form than they are knife. Dunno where I'd draw the line but for me using knives are not art they are tools, or at least if they are any artistry is merely coincidental. That is not the same for other people and there is a definite force at work that aims to usurp that. I wish I'd kept a screen grab of two makers I saw talking essentially one was saying to the other if we could foster the notion in the minds of the public that this is art we can charge more for it. Bingo! Take a tool, add a sprinkle of pixie dust, and sell if for much more than what it is worth as a tool.
That gets interesting because although one might be friends/friendly with a knifemaker there is a conflict of interest. Ultimately, there is just buyer and seller the same as anything else. Both want to maximize what is in their interests. Easy to work cheap steels are definitely in the makers interests and that fuels the over abundance of simple carbons too. It has to be remembered that many, because they like knives, select to artificially prop up manufacturing processes that wouldn't be tolerated in other areas of the modern world. An appeal by the hobbist maker of it took me yay many hours to make it from that though that's why I charge yay much for it finds me with the response tough shit. I don't care to factor in how long other tools I have took to make, that's the makers problem, I just judge the finished article. Others see this differently and like to do makers a favor by recognizing their manufacturing plight in the modern world and paying over the top to support them. Thus we get a bit of old 1095 that factories have been using for cheap beater steel military knives for years getting sold off at many times its worth because it was made in a shed. Something else is used to ramp up the cost well in excess of it's worth than say when Ontario used it to make tool X, but it is the same stuff. In sum, there is market manipulation to sell by adding factors that have nothing to do with the properties of the material. And it works on people.
Then we have the might and magic lord of the rings and animism stuff. Some people seem to treat knives like they are living things. I guess that goes back to deities, superstition, swords and combat or even some farmer praying for a good harvest and so on. Historically we find cutting tools imbued with supernatural powers and treated as though they are living entities with personalities. Simple carbon steels make that easier because they readily corrode and that looks like age and character to the rose tinted glasses. By contrast throw in a Spydie X Salt. It's dead. Stone cold sober and uniform with its siblings. Whilst remarkable it may be there is little to distinguish one from the next one, and that makes it hard to use as a prop if you buy into the living knife connection thing. If you want to believe your knife has a soul it's gonna be a lot harder with a Spydie X salt than something all gnarly grandpappy made from and old horse shoe. For some, this knife as a living entity certainly seems to take priority over real world performance characteristics.
I don't suspect that is going to change any time soon either. One may already wonder at some of this by looking at some of the so called super steels in comparison with say 1095 and wondering at the gulf between the two. One may already think that the performance difference is so great one of them should have already fallen off the map save for a few hobbyists playing about for their own amusement or knives that are principally art pieces. And if we were to project to the new steels we may have in 300yrs time and everything they may be capable of whether 1095 will have finally gone the way of the dodo then. I suspect not. I think there will still be people clinging to it because of fact that despite superficial attempts to retard corrosion none of them really work and the knife will degrade in some unique pattern whether you call that rust or patina it doesn't matter. And some people like that degradation because it makes the knife unique to them. It's like sewing their name tag in it. We see the same in other areas too. Someone will take a hideous wood stain to a beautifully figured wood handle in a way that would make an antiques dealer or professional woodworker cringe, just to make it personal. Similarly, it is well known that one should be suspicious when one sees loads of crap written on a blade or wood that has crude blow torch scorchings on it or something. It's a massive clue yelling
misdirection. The piece probably uses crap wood and the crude burnt bits are supposed to draw your attention away from that. All these dodges and swerves are concealment and misdirection and the savvy buyer knows that. They should be kinds of things that yell warning these go-faster stripes and stickers, suspiciously incongruous markings and so on are deliberately engineered to obscure something this knife isn't. Damn, I've got a heuristic that says reject such pieces with the same passion I'd reject I'd have rejected a knife on the Bay marked up as £L00K£. Yet even though we know such things make knives look cheap and tacky we still see people wanting to do that to their knives. It is the desperate attempt to get their name tag sewn inside and make them personal. I half expect to find a group of people cooing round the half melted handle of an X Salt one day because there was nothing Bloggs could think of to do to personalize it.
In sum, I believe simple carbons still have their place as selected on merit. Yet I also believe those merits are relative and shrinking all the time. That is not in the interest of makers that use them so we hear a lot of mumbles about what if and so on. Further, aside from being a tool for real world use some people want them as a canvas to paint a picture that offers a comfortable emotional appeal that has nothing to do with knowing, knowledge, or intellect. One simply can't argue emotional appeal with someone that wants to bring that baggage to the equation, for them it is a very real thing. They'll still be clinging to their emotional feel good props long after the rest of us have adopted light sabers. Test the idea. Take a bunch of people that apparently make efforts to oil their carbon knives and keep them pristine. Ask them in principal, if you could exchange that knife for one that was indistinguishable from it in every respect save for that it would remain in an as NIB condition for ever would you take it?. I bet quite a few wouldn't, despite oiling and waxing their knives and all that malarkey. There is something that these people are buying when they buy knives that has bugger all to do with knives or the purpose of knives at all.
2Cents