I do believe you're biased kidcongo

just kiddin'. The more I look at the CRK designs the more of the little details that don't become apparent till you've owned and used one for a while.
My first CRK was a small plain Jane 21 and when I been carryin' it every day the little things become more obvious. Like the found of the spine, that little detail makes it more comfortable when you put your finger on the spine to give you more control while doin' fine cuttin' tasks like cuttin' templates and trimmin' maskin' tape.
The fact that the blade to handle ratio is higher than any other comparably sized knife. The blade tip/point breaks the plane of the Ti scales before you barely nudge the thumb stud into it's arc. The jimping on the back of the blade and the little bit of tang that protrudes beyond the front of the scales/handles allow you to flick your Sebenza open kinda like flickin' your bic lighter.
They broke all the sharp edges except the one that should be sharp. The high hollow grind makes it a great slicer and easy to keep sharp. Is it the perfect knife? Of course not but it's damn close. Is it everyone's cup of tea? Of course not but everyone who's serious about knives and usin' them every day owes it to themselves to at least try one out for more than a few days. Which brings me to another point, the resale value, one of the few knives that holds it's value for resale.
It took me 25 years to get my first Sebenza and it had been through many evolutions before I got my small 21. Now that I've carried it for a few years if anything were to ever happen to it I would sell knives to replace it, something I'd never been willing to do before. Call me a fanboy if you want, all I can say is it's a damn great knife, thanks Chris Reeves and company.
ETA, now what can I trade for an Insingo?