On a knife like that I don't think stress risers are at all important. I doubt it is ever going to be used.
As knowledgeable and intelligent as you are...that is about the flat-out most ignorant statement I have ever seen you make about a knife as long as I have been here.
Lemme tell you something, Keith...people who have never been to the AKI know very little about what it is about, which I why I started writing up shows in the first place.
The AKI knives are all hardened, and sharpened...until Virgil England started back up, that is.....most are knives first, and art second....otherwise they would be successfully made and sold out of materials like Fimo, or glass..or petrified yams.....and I assure you...they are not. I use the AKI example, because it is
ART KNIFE INVITATIONAL....that says something, don't it?
Stress risers ALWAYS matter.....and if you accept what Cobalt says(I do) they occur naturally, in the design and construction of many blades....there is no reason to artificially introduce them....however, there is the matter of choice and artistic license.....BUT...this knife certainly appears to have its' roots in use...even if it was not designed to be used.....so why introduce a "flaw" when it does not need to be there?
If you compare this one to the other examples that Neil showed, it is significantly more "rustic" without the "intentional" marks that pieces like the Winkler displayed....primative meets modern is a thought that comes to mind, and a succesful accomplishment if that was the intent...and if the knife was sold/presented strictly as an "art piece".....would probably not even have posted in the first place....but am not sure that is the case.
Kumbaya, my heinie!!
Best Regards,
STeven Garsson