92°F, 65% humidity, hazy, overcast. Air so still you could photograph it with one of those old-timey box cameras (the ones with the included cape!), so thick and greasy that one is tempted to cut a hunk of it off with one's lambfoot knife, package it up, and send it to a more arid region where the people are more than desperate, waterlogged puddles consumed with merely surviving to December. Something tangible. Something you wouldn't want to breathe. Something like a few-hours-old bowl of canned cream-of-mushroom soup microwaved to scalding. An off-brand.
"Look Ma, no tang stamp!" What's the story with these? I looked through this thread and at large and couldn't find much. Synthetic covers (with a massive pin crack) should be 1970s or 80s production, right? Was there a point at which they did away with tang stamps altogether? Both sides of the tang are entirely sterile. Mark-side blade etch reads "GEO WOSTENHOLM & SON" over "SHEFFIELD ENGLAND" over "REAL LAMBFOOT." I'd show the other side but it's just less of the same - no etch and no crack.
I think it's the only lamb in the flock (well, maybe that oak M. May... it seems pretty impervious, even if not immaculately fit) that I'm okay with taking outside in the current climate. I also think, unless you folks tell me different, that I've decided to take this one apart for patterning and recovering. The action is surprisingly nice and everything lines up how it seems like it ought to.