This term "Boutique" keeps surfacing, and has little to in this thread. The majority of the knives referenced here are working knives with the exception of a few like Sitflyers Paradigm.
If you prefer the term "premium" to "boutique", you can just mentally do a global search and replace on my posts above.
Where is the price point line between a working knife and a premium priced knife? Opinions on this will vary but I would say that line is somewhere between $50 and $75. Below $50 and I will think of the knife as a "working knife" and grant a lot of leeway on fit and finish issues (but will expect durability on par with a $15 Opinel). Above $75 and I will have greater expectations on fit and finish issues.
The Alaskan Guide 110 sells for about $90 and by time it got to Canada for RAZORBLADES, it was well north of $100 US. Bou^H^H^HPremium knives aren't my cup of tea, but at that price, I totally understand why RAZORBLADES would be disappointed in the knife if it wasn't real close to perfect on fit and finish.
But it doesn't matter if your knife is a working knife or something you plan to sit on a shelf, they both should be and are expected to be a high quality knife.
My experience is that customers have different expectations and understanding of quality at different price points. Generally when paying premium prices (IMO, north of $75), I think knife customers have a right to expect both good fit and finish and good durability. Under $50, my sense is that customers know and expect that they should pick brands based either on looks or performance. Rough Rider and Taylor Brand Schrade are clearly targeting the former. Buck used to target the latter.
RAZORBLADES description of deer camp mirrors my own (where I hope to be a couple of weeks). My cousins are the kind of guys who would stick a knife blade in a vice just to see if they get things to move and who would toss away junk. They drive their F-150s like they drive their log skidders and treat their tools similarly. If somebody were to sit around the stove and whine about a gap in a liner or a lock bar "sitting proud", they would be laughed at. That don't mean nothin'.
Please note, both views (premium vs working) are both legitimate.
Having a paper test tolerance is not acceptable in my opinion because after you begin using your knife things only get worse. So, if it just passes this Paper test who cares about the future of the knife?
Shimano makes deraillers (gear changers) for bikes. Rear deraillers are similar to knives in their basic design consisting of lever arms pivoting on pressed or peened pivot pins and bushings. When these pivots develop play, the derailler shifts poorly.
Shimano has several lines of deraillers that sell at different price points. When new, the cheap stuff and expensive stuff are roughly comparable. But over time, the cheap ones develop play. This is because they use inferior pins and materials, not because of poor QC.
The issue with play in regular Buck 110s isn't a QC issue. It has to do with the materials they're using and/or the production process being used. IMO, it is unacceptable for the knife to get worse over time. I have a 1970s Opinel that I bought used, beat on hard for several years and have given it to a friend working as a carpenter. He's beaten on it for a bit. I saw the knife last night. Zero wobble. My 70s vintage 110 has no wobble. The new 110s that are wobbling at RAZORBLADES deer camp are doing so because Buck has changed something in the materials and production process. My recent Bucks came out of the box with no wobble that any QC process would find. They developed it over time. Materials and process. That's where the play issue lies.
If I can tell that there is something wrong about the knife, why cant the person who is standing in front of the machine.
I agree with you. For fit and finish issues, they should be able to tell. I think Buck as both design problems and QC problems. I also think you're right about pointing to the move to Idaho. Moves like that tend to flush out corporate memory. That's tough.