March of Dimes fundraiser 2011 WIP

David,

Awesome work. Thank you for taking the time to show much of it to us.

gus
 
Joe, glad you finally got the knife! Can't wait to see what you do.

Thanks, guys. This is a great project, and I'm happy to be involved with it.

David
 
John asked me to corroborate with him on the display stand for the 2011 March of Dimes knife. He also asked me to do some snapshots along the way since this is a WIP thread.

We decided I would provide the base with some sort of mosaics in it so I thought a mosaic name placard would be nice. I realize I'm "making the box for the piano and not the piano" but I hope you enjoy it anyway.

I started by cutting some diagonal spalted birch slabs on the band mill and picking out the nicest one.

spaltedbirch002.jpg

Here I have laid out the rough oval shape we want to use, it's roughly 15 inches by 8 inches and 2 inches thick.

spaltedbirch003.jpg

Here I've cut out the oval and used blue masking tape to form a barrier to contain some casting resin to stabilize the slab. Since spalted birch is very near rotten, it is necessary to stabilize it. I'm using West Systems clear casting resin; it hardens up harder than epoxy, absorbs into wood very well and finishes up real nice. It's hard to get a good finish on epoxy. I mixed up a cup at a time of the resin and poured it on, when the first cup was mostly absorbed I poured on some more. Spalted birch is like a sponge, I used two cups on the top. When the top was curing well, after about eight hours, flipped it over and did the same thing on the bottom.

spaltedbirch005.jpg

After waiting three days for the resin to cure up hard I sanded it good and flat and rounded the corners over with the router. Then I sanded it to 320 grit. The finish size is about 14 X 7 1/2 X 1 3/4.

spaltedbirch006.jpg

Here it is after the first "flooding" of the surface with pure tung oil. The wood is still pretty thirsty, even after stabilizing so the pure tung oil, being thicker, will take fewer coats to seal it up. I am doing the bottom too, to insure against warping. I can switch to another oil if I think I need to after two or three coats of this. The oil needs a day between coats to cure so you really need to plan ahead on a job like this if you have a deadline, like I do:D In the mean time I can start on the name placard.
 
I got the engraving pattern done today and hope to start on it next week. The red is where the gold inlays will be, but the drawing does not show the shading. The finials will be similar to the one in the photo, but they will be 416 SS.

Joe

Finial Pattern.jpg


Pattern Web.jpg
 
How's this for sweet, Roger? :D

Joe sent me some pictures of the work he's doing on the knife.

1. The artwork has been transferred to the guard. Joe has cut in the outline of the leaves and started the grooves for the gold inlay.

2. Here is a better picture showing the grooves ready for the gold.

3. The gold has been inlaid and flushed down to the level of the fittings.

4. The background has been removed.

Now the detail work begins.

I've worked with other engravers before, but never Joe. I'm sure liking what he's doing!

David
 

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Well it's not often we get to see the engraving process unfold in stages - that's a real treat. :thumbup:

Roger
 
Joe sent me some more pictures.

1. Joe finished removing the background, trimmed all the leaves, flattened the background, and stippled it.

2. All of the shading has been completed.

3. Joe normally doesn't paint the background until he's finished with the entire project, but he did it here so you can see the finished work on this side.

Tomorrow he's doing the same thing on the other side. It will take a couple of days like this side. Then about a half day to complete the two buttons. Sounds like he's going to be done on Friday.

I've attended Ray Cover's engraving class so I've seen this done in the various stages, but I still enjoy seeing it in process.

And I'm liking Joe's work so much that I'm itching to get him to do another project. He's really doing a great job!

David
 

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